Music in the Mirror of Religion: On the Discourse of Liturgical Music in the 17th Century (from Scherer and Beyerlinck to Hoffman and Beckovský)

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F15%3A00085877" target="_blank" >RIV/00216224:14210/15:00085877 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Music in the Mirror of Religion: On the Discourse of Liturgical Music in the 17th Century (from Scherer and Beyerlinck to Hoffman and Beckovský)

Popis výsledku v původním jazyce

This paper examines the representation of music (esp. church music), its origin and use during the early modern period in the Czech lands within two main literary testimonies. Both focus on the role of music in religion ?as one can see, this has to do not only with ritual and liturgical music, but as well with music or song as a device to lift the soul up to God. As this paper focuses more on musical culture or the role of music in religion than on music theory, sources in the vernacular, more preciselyfor the Czech-speaking population, were primarily analysed.

Název v anglickém jazyce

Music in the Mirror of Religion: On the Discourse of Liturgical Music in the 17th Century (from Scherer and Beyerlinck to Hoffman and Beckovský)

Popis výsledku anglicky

This paper examines the representation of music (esp. church music), its origin and use during the early modern period in the Czech lands within two main literary testimonies. Both focus on the role of music in religion ?as one can see, this has to do not only with ritual and liturgical music, but as well with music or song as a device to lift the soul up to God. As this paper focuses more on musical culture or the role of music in religion than on music theory, sources in the vernacular, more preciselyfor the Czech-speaking population, were primarily analysed.

Druh

C - Kapitola v odborné knize

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

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Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2015

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Musikalische und literarische Kontexte des Barocks in Mitteleuropa / in der Slowakei

ISBN

9788089189250

Počet stran výsledku

6

Strana od-do

93-98

Počet stran knihy

210

Název nakladatele

Slavistický ústav Jana Stanislava SAV

Místo vydání

Bratislava

Kód UT WoS kapitoly

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