Italian repertoire in Moravia based on the oldest inventories up to ca1650

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F16%3A00088565" target="_blank" >RIV/00216224:14210/16:00088565 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Italian repertoire in Moravia based on the oldest inventories up to ca1650

Popis výsledku v původním jazyce

In late sixteenth-century Moravia, we can presume that musical life flourished not only in the largest urban centres, i.e. royal cities, but also in smaller towns. However, due to the limited body of preserved sources we are still unable to create a comprehensive picture of the musical culture at the turn of the 16th and 17th centuries. Thanks to historical inventories, we can follow the change of repertoire (or musical paradigm?) during the first half of the 17th century. The oldest inventories from Olomouc (1594, 1602) and Příbor (1614, 1637) were discovered and transcribed by Jiří Sehnal; two other sources from parish churches of Northern Moravia (Ostrava 1616) and Nový Jičín (1630) will also be taken into account here, although there is no direct trace of Italian music. Regarding the dissemination of the polyphonic repertory, most comprehensive source comes from Prostějov (1607/1608).

Název v anglickém jazyce

Italian repertoire in Moravia based on the oldest inventories up to ca1650

Popis výsledku anglicky

In late sixteenth-century Moravia, we can presume that musical life flourished not only in the largest urban centres, i.e. royal cities, but also in smaller towns. However, due to the limited body of preserved sources we are still unable to create a comprehensive picture of the musical culture at the turn of the 16th and 17th centuries. Thanks to historical inventories, we can follow the change of repertoire (or musical paradigm?) during the first half of the 17th century. The oldest inventories from Olomouc (1594, 1602) and Příbor (1614, 1637) were discovered and transcribed by Jiří Sehnal; two other sources from parish churches of Northern Moravia (Ostrava 1616) and Nový Jičín (1630) will also be taken into account here, although there is no direct trace of Italian music. Regarding the dissemination of the polyphonic repertory, most comprehensive source comes from Prostějov (1607/1608).

Druh

O - Ostatní výsledky

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

<a href="/cs/project/GA16-17615S" target="_blank" >GA16-17615S: Hudební inventáře raného novověku v českých zemích</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2016

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů