The Reception of Janáček’s Programmatic Orchestral Music

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F16%3A00092432" target="_blank" >RIV/00216224:14210/16:00092432 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

The Reception of Janáček’s Programmatic Orchestral Music

Popis výsledku v původním jazyce

Leoš Janáček is largely viewed as one of the most significant innovators of opera. The fact that his achievements in the field of orchestral, chamber and piano music were (in a context of the ‘long’ nineteenth century) no less innovative remains obscure. Furthermore, all of his instrumental music, except for a few marginal cases, can be regarded as programme music: Janáček was a composer of a fundamentally programmatic and dramatic musical disposition. In my paper I will focus on the critical reception of Janáček’s programmatic compositions, namely symphonic poems by his Czech contemporaries; critiques and other texts from both the press and musicological publications from the period 1877-1928 will be taken into account. Principally, my paper monitors the evaluation of Janáček with respect to the tradition of Czech programmatic music of the «Smetanian line» (B. Smetana, Z. Fibich, J. B. Foerster, and O.

Název v anglickém jazyce

The Reception of Janáček’s Programmatic Orchestral Music

Popis výsledku anglicky

Leoš Janáček is largely viewed as one of the most significant innovators of opera. The fact that his achievements in the field of orchestral, chamber and piano music were (in a context of the ‘long’ nineteenth century) no less innovative remains obscure. Furthermore, all of his instrumental music, except for a few marginal cases, can be regarded as programme music: Janáček was a composer of a fundamentally programmatic and dramatic musical disposition. In my paper I will focus on the critical reception of Janáček’s programmatic compositions, namely symphonic poems by his Czech contemporaries; critiques and other texts from both the press and musicological publications from the period 1877-1928 will be taken into account. Principally, my paper monitors the evaluation of Janáček with respect to the tradition of Czech programmatic music of the «Smetanian line» (B. Smetana, Z. Fibich, J. B. Foerster, and O.

Druh

O - Ostatní výsledky

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

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Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2016

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů