Cinema Programming in Occupied Czechoslovakia: Politics, Economics, Culture, and Everyday Life

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F16%3A00093087" target="_blank" >RIV/00216224:14210/16:00093087 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Cinema Programming in Occupied Czechoslovakia: Politics, Economics, Culture, and Everyday Life

Popis výsledku v původním jazyce

Since 1939, Czechoslovak market not only faced the separation of Sudeten and Slovakia, but also the decline in domestic production and lower diversity of import from other markets weakened by the war together with import regulations given by political reasons. Since 1941, when the occupation authorities banned the import of films from all countries outside of Nazi sphere of influence, there remained only Czech and German films on the market, with several Italian and Swedish exceptions. Decline in number of films on the market thus significantly changed the regularity of their circulation. In my paper, I will analyze and explain, how the war condition, in particular the situation after 1941, transformed the film's lifecycles on the Czech market. Focusing on political, economic, cultural and social factors I will reconsider the role of film premieres and re-runs and clarify specific programming and cinema-going strategies which followed these trends.

Název v anglickém jazyce

Cinema Programming in Occupied Czechoslovakia: Politics, Economics, Culture, and Everyday Life

Popis výsledku anglicky

Since 1939, Czechoslovak market not only faced the separation of Sudeten and Slovakia, but also the decline in domestic production and lower diversity of import from other markets weakened by the war together with import regulations given by political reasons. Since 1941, when the occupation authorities banned the import of films from all countries outside of Nazi sphere of influence, there remained only Czech and German films on the market, with several Italian and Swedish exceptions. Decline in number of films on the market thus significantly changed the regularity of their circulation. In my paper, I will analyze and explain, how the war condition, in particular the situation after 1941, transformed the film's lifecycles on the Czech market. Focusing on political, economic, cultural and social factors I will reconsider the role of film premieres and re-runs and clarify specific programming and cinema-going strategies which followed these trends.

Druh

O - Ostatní výsledky

CEP obor

AJ - Písemnictví, mas–media, audiovize

OECD FORD obor

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Projekt

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Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2016

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů