Survivor Strategies : Czech Film Industry Facing Global Ambitions (from 1930s to 1950s)

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F17%3A00095430" target="_blank" >RIV/00216224:14210/17:00095430 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Survivor Strategies : Czech Film Industry Facing Global Ambitions (from 1930s to 1950s)

Popis výsledku v původním jazyce

The proposed paper builds up on the recent endeavors in production studies to adopt different research position and to ask other questions: how a cinema industry of a small nation reacted to radical changes and new demands in the sphere of cultural policy and film industry? What strategies of adaptation and/or resistance individuals, as well as various professional associations used, when they faced such radical economical, technological, cultural, and political changes as those represented by coming of sound, Nazi occupation, post-war renewal, and “Sovietization”? Czech film industry became rather productive and self-sufficient in the 1930s. Nevertheless, it was just this level of technological development and professional skillfulness what made it an attractive target for both Nazi and Soviet film industries and their ambitions. The changes imposed on the Czech film industry during three decades caused significant shifts in attitude of Czech filmmakers, producers, and cultural functionaries towards strategies of internationalization and cosmopolite production, ambitions of export, or practices of international co-productions. But behind the highly visible changes, we can clearly recognize continuities and persistence. It gives us a chance to analyze the small, but rather stable and developed film industry as a case study for better understanding of strategies of adaptation to external demands brought by the breaking changes enumerated above. We will specifically focus on international co-operations and co-productions to explain how these practices changed their status during the decades and how far their successful implementation was dependent on personal and institutional continuities kept through the changes.

Název v anglickém jazyce

Survivor Strategies : Czech Film Industry Facing Global Ambitions (from 1930s to 1950s)

Popis výsledku anglicky

The proposed paper builds up on the recent endeavors in production studies to adopt different research position and to ask other questions: how a cinema industry of a small nation reacted to radical changes and new demands in the sphere of cultural policy and film industry? What strategies of adaptation and/or resistance individuals, as well as various professional associations used, when they faced such radical economical, technological, cultural, and political changes as those represented by coming of sound, Nazi occupation, post-war renewal, and “Sovietization”? Czech film industry became rather productive and self-sufficient in the 1930s. Nevertheless, it was just this level of technological development and professional skillfulness what made it an attractive target for both Nazi and Soviet film industries and their ambitions. The changes imposed on the Czech film industry during three decades caused significant shifts in attitude of Czech filmmakers, producers, and cultural functionaries towards strategies of internationalization and cosmopolite production, ambitions of export, or practices of international co-productions. But behind the highly visible changes, we can clearly recognize continuities and persistence. It gives us a chance to analyze the small, but rather stable and developed film industry as a case study for better understanding of strategies of adaptation to external demands brought by the breaking changes enumerated above. We will specifically focus on international co-operations and co-productions to explain how these practices changed their status during the decades and how far their successful implementation was dependent on personal and institutional continuities kept through the changes.

Druh

O - Ostatní výsledky

CEP obor

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OECD FORD obor

60405 - Studies on Film, Radio and Television

Projekt

<a href="/cs/project/GA16-13375S" target="_blank" >GA16-13375S: Česká filmová kultura a německá okupace: procesy kulturního transferu</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2017

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů