The Czechoslovak-East German Co-production Tři oříšky pro Popelku/Drei Haselnüsse für Aschenbrödel/Three Wishes for Cinderella : A Transnational Tale

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F17%3A00097989" target="_blank" >RIV/00216224:14210/17:00097989 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

The Czechoslovak-East German Co-production Tři oříšky pro Popelku/Drei Haselnüsse für Aschenbrödel/Three Wishes for Cinderella : A Transnational Tale

Popis výsledku v původním jazyce

Although fairy-tales were among the most popular genres both in the GDR and in Czechoslovakia, there was no guarantee that Three Nuts for Cinderella would achieve equal success in both countries. Yet, despite the differences in the respective concepts of filmmaking for children this is exactly what happened. The smooth and successful implementation of the co-production traced in this paper was conditioned by the East German studio’s appreciation of the Czechoslovak approach to the genre, as well as by DEFA’s fondness for Barrandov’s scriptwriters and directors. The exceptionally successful co-production Three Nuts for Cinderella highlights some of the advantages as well as certain pitfalls of those international projects established between film studios from two Soviet bloc countries that focused on popular genre production. Rather than the product of a magic formula for a popular fairy-tale genre film, the success of Three Nuts for Cinderella was a result of a pragmatic alliance that united two production facilities under a singular creative concept built around a transnational story.

Název v anglickém jazyce

The Czechoslovak-East German Co-production Tři oříšky pro Popelku/Drei Haselnüsse für Aschenbrödel/Three Wishes for Cinderella : A Transnational Tale

Popis výsledku anglicky

Although fairy-tales were among the most popular genres both in the GDR and in Czechoslovakia, there was no guarantee that Three Nuts for Cinderella would achieve equal success in both countries. Yet, despite the differences in the respective concepts of filmmaking for children this is exactly what happened. The smooth and successful implementation of the co-production traced in this paper was conditioned by the East German studio’s appreciation of the Czechoslovak approach to the genre, as well as by DEFA’s fondness for Barrandov’s scriptwriters and directors. The exceptionally successful co-production Three Nuts for Cinderella highlights some of the advantages as well as certain pitfalls of those international projects established between film studios from two Soviet bloc countries that focused on popular genre production. Rather than the product of a magic formula for a popular fairy-tale genre film, the success of Three Nuts for Cinderella was a result of a pragmatic alliance that united two production facilities under a singular creative concept built around a transnational story.

Druh

C - Kapitola v odborné knize

CEP obor

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OECD FORD obor

60405 - Studies on Film, Radio and Television

Projekt

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Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2017

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Popular Cinemas in East Central Europe : Film Cultures and Histories

ISBN

9781784533977

Počet stran výsledku

14

Strana od-do

184-197

Počet stran knihy

352

Název nakladatele

I. B. Tauris

Místo vydání

Londýn

Kód UT WoS kapitoly

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