Echoes of Milan in ninth-century Langobardia Minor? Preliminary findings on the painted programme of Sant'Ambrogio alla Rienna, Montecorvino Rovella (Salerno)

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F17%3A00098468" target="_blank" >RIV/00216224:14210/17:00098468 - isvavai.cz</a>

Výsledek na webu

<a href="http://hdl.handle.net/11222.digilib/137830" target="_blank" >http://hdl.handle.net/11222.digilib/137830</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1484/J.CONVIVIUM.4.2018012" target="_blank" >10.1484/J.CONVIVIUM.4.2018012</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Echoes of Milan in ninth-century Langobardia Minor? Preliminary findings on the painted programme of Sant'Ambrogio alla Rienna, Montecorvino Rovella (Salerno)

Popis výsledku v původním jazyce

Thanks to new material analysis and archaeological investigation, still in progress, the rural church of S. Ambrogio alla Rienna in the countryside of Salerno (southern Italy) is revealing crucial information about cultural coexistence between Lombards and Franks. Its mid-ninth century mural paintings, whose quality is outstanding in the early medieval period, can be used as to highlight political and theological disputes, as well as ethnic identities, and economic and social dynamics of their period. In the eighth–ninth centuries the area was part of the Duchy then Principality of Benevento and Salerno. The church was at the centre of a network of landholdings belonging to the powerful monastery of S. Vincenzo al Volturno. What remains of the original painted programme suggests a wealthy patronage in close connection on the one hand with the culture of the Lombard courts and main monasteries, on the other with Carolingian politics in northern Lombardy.

Název v anglickém jazyce

Echoes of Milan in ninth-century Langobardia Minor? Preliminary findings on the painted programme of Sant'Ambrogio alla Rienna, Montecorvino Rovella (Salerno)

Popis výsledku anglicky

Thanks to new material analysis and archaeological investigation, still in progress, the rural church of S. Ambrogio alla Rienna in the countryside of Salerno (southern Italy) is revealing crucial information about cultural coexistence between Lombards and Franks. Its mid-ninth century mural paintings, whose quality is outstanding in the early medieval period, can be used as to highlight political and theological disputes, as well as ethnic identities, and economic and social dynamics of their period. In the eighth–ninth centuries the area was part of the Duchy then Principality of Benevento and Salerno. The church was at the centre of a network of landholdings belonging to the powerful monastery of S. Vincenzo al Volturno. What remains of the original painted programme suggests a wealthy patronage in close connection on the one hand with the culture of the Lombard courts and main monasteries, on the other with Carolingian politics in northern Lombardy.

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

—

OECD FORD obor

60401 - Arts, Art history

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2017

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Convivium. Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and Mediterranean

ISSN

2336-3452

e-ISSN

2336-808X

Svazek periodika

4

Číslo periodika v rámci svazku

2

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

6

Strana od-do

202-207

Kód UT WoS článku

000428131900012

EID výsledku v databázi Scopus

2-s2.0-85045956588