Subversive Adaptations : Czech Literature on Screen behind the Iron Curtain

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F17%3A00098587" target="_blank" >RIV/00216224:14210/17:00098587 - isvavai.cz</a>

Výsledek na webu

<a href="https://www.palgrave.com/de/book/9783319409603#aboutBook" target="_blank" >https://www.palgrave.com/de/book/9783319409603#aboutBook</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1007/978-3-319-40961-0" target="_blank" >10.1007/978-3-319-40961-0</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Subversive Adaptations : Czech Literature on Screen behind the Iron Curtain

Popis výsledku v původním jazyce

This book deals with film adaptations of literary works created in Communist Czechoslovakia between 1954 and 1969, such as The Fabulous World of Jules Verne (Zeman 1958), Marketa Lazarová (Vláčil 1967), and The Joke (Jireš 1969). It treats a historically significant period around which myths and misinformation have arisen. The book is broad in scope and examines aesthetic, political, social, and cultural issues. It sets out to disprove the notion that the state-controlled film industry behind the Iron Curtain produced only aesthetically uniform works pandering to official ideology. The book’s main aim is to show how the political situation of Communist Czechoslovakia moulded the film adaptations created there, but also how these same works, in turn, shaped the sociocultural conditions of the 1950s and the 1960s.

Název v anglickém jazyce

Subversive Adaptations : Czech Literature on Screen behind the Iron Curtain

Popis výsledku anglicky

This book deals with film adaptations of literary works created in Communist Czechoslovakia between 1954 and 1969, such as The Fabulous World of Jules Verne (Zeman 1958), Marketa Lazarová (Vláčil 1967), and The Joke (Jireš 1969). It treats a historically significant period around which myths and misinformation have arisen. The book is broad in scope and examines aesthetic, political, social, and cultural issues. It sets out to disprove the notion that the state-controlled film industry behind the Iron Curtain produced only aesthetically uniform works pandering to official ideology. The book’s main aim is to show how the political situation of Communist Czechoslovakia moulded the film adaptations created there, but also how these same works, in turn, shaped the sociocultural conditions of the 1950s and the 1960s.

Druh

B - Odborná kniha

CEP obor

—

OECD FORD obor

60204 - General literature studies

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2017

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

ISBN

9783319409603

Počet stran knihy

224

Název nakladatele

Palgrave Macmillan

Místo vydání

Basingstoke

Kód UT WoS knihy

—