Doing being spontaneous : The role of laughter in TV documentaries

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F17%3A00098616" target="_blank" >RIV/00216224:14210/17:00098616 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Doing being spontaneous : The role of laughter in TV documentaries

Popis výsledku v původním jazyce

The classic TV documentary is a genre of non-fictional broadcasting that tends to have a strong informative function. However, many documentary formats include segments of dialogic interaction between the presenter and other individuals, which gives rise to many interactional phenomena that overcome the scripted nature of the programme. In this presentation, I focus on the ways laughter is used in the TV documentary series “How Britain Worked”, analysing cases where laughter appears in non-humorous situations between on-screen participants. It appears that laughter may constitute an offer to engage in a playful frame, and thus to achieve in-tune-ness between the interlocutors. Though the offer may be resisted, it is typically accepted, allowing the interlocutors to reframe their interaction through jocular banter and joint joking. In such situations, laughter indexes the momentary suspension of the serious nature of the activity at hand, enabling the participants to appear more authentic and spontaneous. I argue that this kind of sociable behaviour is a part of the design of the programme to relate to the audience on a more interpersonal level.

Název v anglickém jazyce

Doing being spontaneous : The role of laughter in TV documentaries

Popis výsledku anglicky

The classic TV documentary is a genre of non-fictional broadcasting that tends to have a strong informative function. However, many documentary formats include segments of dialogic interaction between the presenter and other individuals, which gives rise to many interactional phenomena that overcome the scripted nature of the programme. In this presentation, I focus on the ways laughter is used in the TV documentary series “How Britain Worked”, analysing cases where laughter appears in non-humorous situations between on-screen participants. It appears that laughter may constitute an offer to engage in a playful frame, and thus to achieve in-tune-ness between the interlocutors. Though the offer may be resisted, it is typically accepted, allowing the interlocutors to reframe their interaction through jocular banter and joint joking. In such situations, laughter indexes the momentary suspension of the serious nature of the activity at hand, enabling the participants to appear more authentic and spontaneous. I argue that this kind of sociable behaviour is a part of the design of the programme to relate to the audience on a more interpersonal level.

Druh

O - Ostatní výsledky

CEP obor

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OECD FORD obor

60203 - Linguistics

Projekt

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Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2017

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů