An Afterglow of Byzantium in Ottoman Illustrated Manuscripts : The Case of the Pictorial Representation of Architecture
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F17%3A00098650" target="_blank" >RIV/00216224:14210/17:00098650 - isvavai.cz</a>
Výsledek na webu
<a href="http://hdl.handle.net/11222.digilib/137337" target="_blank" >http://hdl.handle.net/11222.digilib/137337</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.1484/J.CONVIVIUM.4.2018009" target="_blank" >10.1484/J.CONVIVIUM.4.2018009</a>
Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
An Afterglow of Byzantium in Ottoman Illustrated Manuscripts : The Case of the Pictorial Representation of Architecture
Popis výsledku v původním jazyce
Autonomous Ottoman architectural and visual idioms evolved as they drew inspiration from miscellaneous foreign models which arose predominantly out of the Persianate Timurid-Turkmen and Byzantine traditions. Understanding the form and manner of the appropriation of Byzantine models into Ottoman pictorial representation of architecture contributes significantly to our comprehension of the intricate processes that shaped Ottoman book painting in the periods of its formation and greatest splendor. The Byzantine models appropriated by Ottoman painters were both pictorial and architectural. Mosaics and frescoes were easily accessible in the interiors of several former Byzantine churches converted into mosques. These converted structures, primarily in the region of Kostantiniyye (Istanbul), likewise enabled direct experience of Byzantine architecture and its decoration as they were incorporated into Ottoman actuality.
Název v anglickém jazyce
An Afterglow of Byzantium in Ottoman Illustrated Manuscripts : The Case of the Pictorial Representation of Architecture
Popis výsledku anglicky
Autonomous Ottoman architectural and visual idioms evolved as they drew inspiration from miscellaneous foreign models which arose predominantly out of the Persianate Timurid-Turkmen and Byzantine traditions. Understanding the form and manner of the appropriation of Byzantine models into Ottoman pictorial representation of architecture contributes significantly to our comprehension of the intricate processes that shaped Ottoman book painting in the periods of its formation and greatest splendor. The Byzantine models appropriated by Ottoman painters were both pictorial and architectural. Mosaics and frescoes were easily accessible in the interiors of several former Byzantine churches converted into mosques. These converted structures, primarily in the region of Kostantiniyye (Istanbul), likewise enabled direct experience of Byzantine architecture and its decoration as they were incorporated into Ottoman actuality.
Klasifikace
Druh
J<sub>imp</sub> - Článek v periodiku v databázi Web of Science
CEP obor
—
OECD FORD obor
60401 - Arts, Art history
Návaznosti výsledku
Projekt
—
Návaznosti
S - Specificky vyzkum na vysokych skolach
Ostatní
Rok uplatnění
2017
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název periodika
Convivium. Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Mediterranean. Seminarium Kondakovianum Series Nova
ISSN
2336-3452
e-ISSN
2336-808X
Svazek periodika
4
Číslo periodika v rámci svazku
2
Stát vydavatele periodika
CZ - Česká republika
Počet stran výsledku
20
Strana od-do
156-175
Kód UT WoS článku
000428131900009
EID výsledku v databázi Scopus
2-s2.0-85045906669