Musica Practica According to Roland Barthes

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F17%3A00098971" target="_blank" >RIV/00216224:14210/17:00098971 - isvavai.cz</a>

Výsledek na webu

<a href="http://hdl.handle.net/11222.digilib/136936" target="_blank" >http://hdl.handle.net/11222.digilib/136936</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.5817/MB2017-1-14" target="_blank" >10.5817/MB2017-1-14</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Musica Practica According to Roland Barthes

Popis výsledku v původním jazyce

The contribution deals with Roland Barthes' musical aesthetics, with his dichotomous view of music – the manual or muscular ("the music one listens to") on the one hand, and the liquid or effusive ("the music one plays") on the other. Barthes grasped these as two different arts, each with its own history, its own sociology, its own aesthetics, and its own erotic. The first one, driven by desire, represents an amateurish music-making, the second one, played by professional musicians by heart, represents a professional musical praxis. Amateur music is characterized by intimate contact of the musician's body and his/her art. The aim of the paper is to explore both musics in the context of actual musical thought and post-Cagean ways of music making and listening.

Název v anglickém jazyce

Musica Practica According to Roland Barthes

Popis výsledku anglicky

The contribution deals with Roland Barthes' musical aesthetics, with his dichotomous view of music – the manual or muscular ("the music one listens to") on the one hand, and the liquid or effusive ("the music one plays") on the other. Barthes grasped these as two different arts, each with its own history, its own sociology, its own aesthetics, and its own erotic. The first one, driven by desire, represents an amateurish music-making, the second one, played by professional musicians by heart, represents a professional musical praxis. Amateur music is characterized by intimate contact of the musician's body and his/her art. The aim of the paper is to explore both musics in the context of actual musical thought and post-Cagean ways of music making and listening.

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

—

OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

—

Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2017

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Musicologica Brunensia

ISSN

1212-0391

e-ISSN

—

Svazek periodika

52

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

5

Strana od-do

149-153

Kód UT WoS článku

000408437300014

EID výsledku v databázi Scopus

2-s2.0-85028348475