Sounding Spaces

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F17%3A00099120" target="_blank" >RIV/00216224:14210/17:00099120 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Sounding Spaces

Popis výsledku v původním jazyce

“The radical illusion is that of the original crime, by which the world is altered from the beginning, and is never identical to itself, never real. The world exists only through this definitive illusion which is that of the play of appearances – the very site of the unceasing disappearance of all meaning and all finality. And this is not merely metaphysical: in the physical order, too, from its origin – whatever that may be – the world has been forever appearing and disappearing.” J. Baudrillard, Le crime parfait (1995) “Between the materiality of the image and the ideology of perception, and vice versa: the margin of entropy, noise, irreducibility, ambiviolence (as Joyce said). Entropy as motive force, noise as contentless information, irreducibility as the perpetual non-normalisable element, ambiviolence as counter-reduction.” L. Armand, Videology. International symposium on the ways sounds and spaces, natural and artificial ones, intersect, melt, and fuse, rival and collide in media art and culture of the 20th and 21st century.

Název v anglickém jazyce

Sounding Spaces

Popis výsledku anglicky

“The radical illusion is that of the original crime, by which the world is altered from the beginning, and is never identical to itself, never real. The world exists only through this definitive illusion which is that of the play of appearances – the very site of the unceasing disappearance of all meaning and all finality. And this is not merely metaphysical: in the physical order, too, from its origin – whatever that may be – the world has been forever appearing and disappearing.” J. Baudrillard, Le crime parfait (1995) “Between the materiality of the image and the ideology of perception, and vice versa: the margin of entropy, noise, irreducibility, ambiviolence (as Joyce said). Entropy as motive force, noise as contentless information, irreducibility as the perpetual non-normalisable element, ambiviolence as counter-reduction.” L. Armand, Videology. International symposium on the ways sounds and spaces, natural and artificial ones, intersect, melt, and fuse, rival and collide in media art and culture of the 20th and 21st century.

Druh

M - Uspořádání konference

CEP obor

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OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

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Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2017

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Místo konání akce

Brno

Stát konání akce

CZ - Česká republika

Datum zahájení akce

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Datum ukončení akce

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Celkový počet účastníků

30

Počet zahraničních účastníků

5

Typ akce podle státní přísl. účastníků

WRD - Celosvětová akce