Technology or Theology? Music Beyond Technology

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F17%3A00099123" target="_blank" >RIV/00216224:14210/17:00099123 - isvavai.cz</a>

Výsledek na webu

<a href="http://hdl.handle.net/11222.digilib/136928" target="_blank" >http://hdl.handle.net/11222.digilib/136928</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.5817/MB2017-1-6" target="_blank" >10.5817/MB2017-1-6</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Technology or Theology? Music Beyond Technology

Popis výsledku v původním jazyce

In different times of 20th century technology played various roles in fulfilling listeners’ and authors’ expectations. The whole process reached its peak certainly in the post-war music development when technology was perceived either as a threat or a way to salvation of the contemporary music. The most remarkable problem represented a buying on future’s credit. Leaders of European and American avant-garde swore on the future as the only guarantee of the contemporary music authenticity unmasking the obsolescence of yesterday’s music. Not all composers were excited by technological possibilities of electronic media and left the optimistic mainstream sooner than others. Can music exist without technology? Can technology be possibly abandoned by composers and artists? And under what conditions?

Název v anglickém jazyce

Technology or Theology? Music Beyond Technology

Popis výsledku anglicky

In different times of 20th century technology played various roles in fulfilling listeners’ and authors’ expectations. The whole process reached its peak certainly in the post-war music development when technology was perceived either as a threat or a way to salvation of the contemporary music. The most remarkable problem represented a buying on future’s credit. Leaders of European and American avant-garde swore on the future as the only guarantee of the contemporary music authenticity unmasking the obsolescence of yesterday’s music. Not all composers were excited by technological possibilities of electronic media and left the optimistic mainstream sooner than others. Can music exist without technology? Can technology be possibly abandoned by composers and artists? And under what conditions?

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

—

OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

—

Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2017

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Musicologica Brunensia

ISSN

1212-0391

e-ISSN

2336-436X

Svazek periodika

52

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

6

Strana od-do

63-68

Kód UT WoS článku

000408437300006

EID výsledku v databázi Scopus

2-s2.0-85028300021