Composing and Editing : Selected Aspects of the Use of Computer Assisted Composition Tools

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F17%3A00099451" target="_blank" >RIV/00216224:14210/17:00099451 - isvavai.cz</a>

Výsledek na webu

<a href="http://sounds.irf-network.org/" target="_blank" >http://sounds.irf-network.org/</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Composing and Editing : Selected Aspects of the Use of Computer Assisted Composition Tools

Popis výsledku v původním jazyce

This article deals with the transformation of compositional methods and competences which took place at the beginning of the 1980s, concurrently with the boom in technological development. It focuses on the field of artificial music and the sonic arts, in which tools of “computer assisted composition” are used. It follows the use of “models” in the form of “exemplary structures” which the composer imitates and uses as a template for creating structural relations in their own composition. This imitation is then compared to the act of mimesis. The ending points to the fact that the compositional methods in question create a new paradigm, which no longer corresponds to the traditional meaning of the word “composition” and is based on principles of editing.

Název v anglickém jazyce

Composing and Editing : Selected Aspects of the Use of Computer Assisted Composition Tools

Popis výsledku anglicky

This article deals with the transformation of compositional methods and competences which took place at the beginning of the 1980s, concurrently with the boom in technological development. It focuses on the field of artificial music and the sonic arts, in which tools of “computer assisted composition” are used. It follows the use of “models” in the form of “exemplary structures” which the composer imitates and uses as a template for creating structural relations in their own composition. This imitation is then compared to the act of mimesis. The ending points to the fact that the compositional methods in question create a new paradigm, which no longer corresponds to the traditional meaning of the word “composition” and is based on principles of editing.

Druh

O - Ostatní výsledky

CEP obor

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OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

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Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2017

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů