Holy Site, Place of Memory or Art Object? Some Considerations on Mont Saint-Michel in the ‘(tre's) longue durée’ (708 [?]–2017)

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F17%3A00103041" target="_blank" >RIV/00216224:14210/17:00103041 - isvavai.cz</a>

Výsledek na webu

<a href="https://digilib.phil.muni.cz/handle/11222.digilib/137935" target="_blank" >https://digilib.phil.muni.cz/handle/11222.digilib/137935</a>

DOI - Digital Object Identifier

—

Jazyk výsledku

angličtina

Název v původním jazyce

Holy Site, Place of Memory or Art Object? Some Considerations on Mont Saint-Michel in the ‘(tre's) longue durée’ (708 [?]–2017)

Popis výsledku v původním jazyce

For more than one thousand years, Mont Saint-Michel has been a magnetic place: pilgrims and tourists travel for days in order to reach this place. The meaning of this tidal island has changed many times – from a holy place, to a sacred space, then becoming a monument of French national identity, and finally a Mecca of consumerist tourism. How can we understand this exceptional ‘longue durée’ success? One could think of it as a place of memory re-appropriated by each generation – but is that sufficient? Thanks to written records through the centuries, it is possible to confirm that the fascination with this place has always involved a combination of nature and culture. This harmonic interaction has always been the result of a true artistic conception of the place updated through the centuries. In this sense, our answer is unequivocal: Mont Saint-Michel is an art object that comprises natural, monumental, and performative elements within itself.

Název v anglickém jazyce

Holy Site, Place of Memory or Art Object? Some Considerations on Mont Saint-Michel in the ‘(tre's) longue durée’ (708 [?]–2017)

Popis výsledku anglicky

For more than one thousand years, Mont Saint-Michel has been a magnetic place: pilgrims and tourists travel for days in order to reach this place. The meaning of this tidal island has changed many times – from a holy place, to a sacred space, then becoming a monument of French national identity, and finally a Mecca of consumerist tourism. How can we understand this exceptional ‘longue durée’ success? One could think of it as a place of memory re-appropriated by each generation – but is that sufficient? Thanks to written records through the centuries, it is possible to confirm that the fascination with this place has always involved a combination of nature and culture. This harmonic interaction has always been the result of a true artistic conception of the place updated through the centuries. In this sense, our answer is unequivocal: Mont Saint-Michel is an art object that comprises natural, monumental, and performative elements within itself.

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

60401 - Arts, Art history

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2017

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Opuscula historiae artium

ISSN

1211-7390

e-ISSN

—

Svazek periodika

66

Číslo periodika v rámci svazku

2

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

16

Strana od-do

118-133

Kód UT WoS článku

—

EID výsledku v databázi Scopus

2-s2.0-85049380856