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The Pragmatic Alliance of DEFA and Barrandov : Cultural Transfer, Popular Cinema and Czechoslovak-East German Co-productions, 1957–85

Identifikátory výsledku

  • Kód výsledku v IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F18%3A00102330" target="_blank" >RIV/00216224:14210/18:00102330 - isvavai.cz</a>

  • Výsledek na webu

    <a href="http://dx.doi.org/10.1080/01439685.2017.1285151" target="_blank" >http://dx.doi.org/10.1080/01439685.2017.1285151</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.1080/01439685.2017.1285151" target="_blank" >10.1080/01439685.2017.1285151</a>

Alternativní jazyky

  • Jazyk výsledku

    angličtina

  • Název v původním jazyce

    The Pragmatic Alliance of DEFA and Barrandov : Cultural Transfer, Popular Cinema and Czechoslovak-East German Co-productions, 1957–85

  • Popis výsledku v původním jazyce

    This article examines the cooperation that took place between the East German DEFA and Czechoslovakia’s Barrandov film studios, in terms of their coproductions and the recruitment of Czechoslovak talent to work on nominally East German productions. By analysing these ventures from their inception in 1957 onwards, I consider the conditions supervising the transfer of professional skills between the studios, especially during periods of intensive exchange: the mid-1960s and the 1970s. I argue that DEFA utilized Barrandov-contracted talent to facilitate its production of commercially viable light entertainment. In the 1960s, ‘travelling filmmakers’ helped DEFA to launch a series of East German-produced musicals and Indianerfilme. In the 1970s, DEFA functionaries aimed to benefit from the creative input Czechoslovak scriptwriters, directors and producers brought to children’s films. I suggest the two periods in question were shaped by distinct sets of institutional, political and creative circumstances. The recruitment of individual Czechoslovak personnel in the earlier period enabled DEFA to train in-house talent. A decade later, purges enacted by the Czechoslovak Communist Party limited creative possibilities for this country’s film-makers, incentivizing a newfound desire to partner with a studio that Barrandov had previously deemed beneath it.

  • Název v anglickém jazyce

    The Pragmatic Alliance of DEFA and Barrandov : Cultural Transfer, Popular Cinema and Czechoslovak-East German Co-productions, 1957–85

  • Popis výsledku anglicky

    This article examines the cooperation that took place between the East German DEFA and Czechoslovakia’s Barrandov film studios, in terms of their coproductions and the recruitment of Czechoslovak talent to work on nominally East German productions. By analysing these ventures from their inception in 1957 onwards, I consider the conditions supervising the transfer of professional skills between the studios, especially during periods of intensive exchange: the mid-1960s and the 1970s. I argue that DEFA utilized Barrandov-contracted talent to facilitate its production of commercially viable light entertainment. In the 1960s, ‘travelling filmmakers’ helped DEFA to launch a series of East German-produced musicals and Indianerfilme. In the 1970s, DEFA functionaries aimed to benefit from the creative input Czechoslovak scriptwriters, directors and producers brought to children’s films. I suggest the two periods in question were shaped by distinct sets of institutional, political and creative circumstances. The recruitment of individual Czechoslovak personnel in the earlier period enabled DEFA to train in-house talent. A decade later, purges enacted by the Czechoslovak Communist Party limited creative possibilities for this country’s film-makers, incentivizing a newfound desire to partner with a studio that Barrandov had previously deemed beneath it.

Klasifikace

  • Druh

    J<sub>imp</sub> - Článek v periodiku v databázi Web of Science

  • CEP obor

  • OECD FORD obor

    60405 - Studies on Film, Radio and Television

Návaznosti výsledku

  • Projekt

  • Návaznosti

    I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Ostatní

  • Rok uplatnění

    2018

  • Kód důvěrnosti údajů

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Údaje specifické pro druh výsledku

  • Název periodika

    Historical Journal of Film, Radio and Television

  • ISSN

    0143-9685

  • e-ISSN

  • Svazek periodika

    38

  • Číslo periodika v rámci svazku

    1

  • Stát vydavatele periodika

    GB - Spojené království Velké Británie a Severního Irska

  • Počet stran výsledku

    14

  • Strana od-do

    133-146

  • Kód UT WoS článku

    000424194800007

  • EID výsledku v databázi Scopus

    2-s2.0-85013054771