Oratorios performed at the holy sepulchre in the Bohemian lands and Austria in the 18th century (Part I) : methodological questions on the sepolcro in the period of ca. 1700–1760

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F18%3A00105053" target="_blank" >RIV/00216224:14210/18:00105053 - isvavai.cz</a>

Výsledek na webu

<a href="https://digilib.phil.muni.cz/handle/11222.digilib/138330" target="_blank" >https://digilib.phil.muni.cz/handle/11222.digilib/138330</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.5817/MB2018-1-6" target="_blank" >10.5817/MB2018-1-6</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Oratorios performed at the holy sepulchre in the Bohemian lands and Austria in the 18th century (Part I) : methodological questions on the sepolcro in the period of ca. 1700–1760

Popis výsledku v původním jazyce

The study is focused on specific musical-dramatic form of oratorios, which was intended for performances during the Holy Week at the holy sepulchre. Originally, the favourite form from Leopoldine Vienna found a wide use in 18th century. The functional point of view, symbolically designated by the place and purpose of the performance, plays a decisive role in further research. Therefore, for these compositions the term "sepolcro" is used. Apart from terminological questions, the clients, who ordered these compositions, as well as forms and language problematic are researched. On several examples, the various types of themes used in sepolcros are demonstrated.

Název v anglickém jazyce

Oratorios performed at the holy sepulchre in the Bohemian lands and Austria in the 18th century (Part I) : methodological questions on the sepolcro in the period of ca. 1700–1760

Popis výsledku anglicky

The study is focused on specific musical-dramatic form of oratorios, which was intended for performances during the Holy Week at the holy sepulchre. Originally, the favourite form from Leopoldine Vienna found a wide use in 18th century. The functional point of view, symbolically designated by the place and purpose of the performance, plays a decisive role in further research. Therefore, for these compositions the term "sepolcro" is used. Apart from terminological questions, the clients, who ordered these compositions, as well as forms and language problematic are researched. On several examples, the various types of themes used in sepolcros are demonstrated.

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

—

OECD FORD obor

60401 - Arts, Art history

Projekt

—

Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2018

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Musicologica Brunensia

ISSN

1212-0391

e-ISSN

—

Svazek periodika

53

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

18

Strana od-do

79-96

Kód UT WoS článku

000446502100006

EID výsledku v databázi Scopus

2-s2.0-85054599706