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Early Titanic Jokes : A disaster for the theory of disaster jokes?

Identifikátory výsledku

  • Kód výsledku v IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F18%3A00105880" target="_blank" >RIV/00216224:14210/18:00105880 - isvavai.cz</a>

  • Výsledek na webu

  • DOI - Digital Object Identifier

Alternativní jazyky

  • Jazyk výsledku

    angličtina

  • Název v původním jazyce

    Early Titanic Jokes : A disaster for the theory of disaster jokes?

  • Popis výsledku v původním jazyce

    This paper challenges and revises Christie Davies’s theory of disaster jokes. Based on the discovery of several very early jokes on the Titanic disaster, all obtained from a contemporary Czech humoristic magazine, I suggest that Davies’ position that “there are no contemporary jokes” about pre-television disasters (2003: 17) is no longer tenable in view of the new data. Evidently, various forms of humor existed about current disasters even before the advent of television (and later the internet), which are otherwise considered as central to the production of sick humor and joke cycles on disaster events (cf. Ellis 2001; Kuipers 2002, 2005). While the lack of historical data makes it difficult to speculate on whether we can actually talk about “joke cycles”, the mere existence of contemporary Titanic jokes requires us to reconsider the privileged role of television, as propounded in Christie Davies’s model. Apparently, the mediatization of disaster news through early print media was quite sufficient to trigger the generation of sick humor – possibly serving as a counter-discourse to the official, mediatized narratives of negative news.

  • Název v anglickém jazyce

    Early Titanic Jokes : A disaster for the theory of disaster jokes?

  • Popis výsledku anglicky

    This paper challenges and revises Christie Davies’s theory of disaster jokes. Based on the discovery of several very early jokes on the Titanic disaster, all obtained from a contemporary Czech humoristic magazine, I suggest that Davies’ position that “there are no contemporary jokes” about pre-television disasters (2003: 17) is no longer tenable in view of the new data. Evidently, various forms of humor existed about current disasters even before the advent of television (and later the internet), which are otherwise considered as central to the production of sick humor and joke cycles on disaster events (cf. Ellis 2001; Kuipers 2002, 2005). While the lack of historical data makes it difficult to speculate on whether we can actually talk about “joke cycles”, the mere existence of contemporary Titanic jokes requires us to reconsider the privileged role of television, as propounded in Christie Davies’s model. Apparently, the mediatization of disaster news through early print media was quite sufficient to trigger the generation of sick humor – possibly serving as a counter-discourse to the official, mediatized narratives of negative news.

Klasifikace

  • Druh

    O - Ostatní výsledky

  • CEP obor

  • OECD FORD obor

    60203 - Linguistics

Návaznosti výsledku

  • Projekt

  • Návaznosti

    S - Specificky vyzkum na vysokych skolach

Ostatní

  • Rok uplatnění

    2018

  • Kód důvěrnosti údajů

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů