On (Film) Bodies and their Senses : Rereading Two African-American Independent Classics
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F18%3A00105934" target="_blank" >RIV/00216224:14210/18:00105934 - isvavai.cz</a>
Výsledek na webu
<a href="https://blogs.kcl.ac.uk/ebaas2018/programme/" target="_blank" >https://blogs.kcl.ac.uk/ebaas2018/programme/</a>
DOI - Digital Object Identifier
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Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
On (Film) Bodies and their Senses : Rereading Two African-American Independent Classics
Popis výsledku v původním jazyce
The paper focuses on two African American landmark films, Melvin Van Peebles’ radical feature Sweet Sweetback’s Baadasss Song (1971) and Julie Dash’s independent classic Daugther of the Dust (1991). Both films not only represent milestones in articulating the African American experience, but also invite a reading along the proposed panel lines: the former for its radical employent of the human body as an instrument of violent resistance, and, at the same time, a site of suffering (with considerable affective potential for the audience); the latter for it meticulous attention to the cinematic construction of the (female) body, its sensual experience (and its conscious subversion of the traditional iconography of slavery, white male dominance, and exploitation).
Název v anglickém jazyce
On (Film) Bodies and their Senses : Rereading Two African-American Independent Classics
Popis výsledku anglicky
The paper focuses on two African American landmark films, Melvin Van Peebles’ radical feature Sweet Sweetback’s Baadasss Song (1971) and Julie Dash’s independent classic Daugther of the Dust (1991). Both films not only represent milestones in articulating the African American experience, but also invite a reading along the proposed panel lines: the former for its radical employent of the human body as an instrument of violent resistance, and, at the same time, a site of suffering (with considerable affective potential for the audience); the latter for it meticulous attention to the cinematic construction of the (female) body, its sensual experience (and its conscious subversion of the traditional iconography of slavery, white male dominance, and exploitation).
Klasifikace
Druh
O - Ostatní výsledky
CEP obor
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OECD FORD obor
50802 - Media and socio-cultural communication
Návaznosti výsledku
Projekt
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Návaznosti
S - Specificky vyzkum na vysokych skolach
Ostatní
Rok uplatnění
2018
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů