The Wolfgang Born – Kondakov Institute Correspondence : Art History, Freedom, and the Rising Fear in the 1930s

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F19%3A00107751" target="_blank" >RIV/00216224:14210/19:00107751 - isvavai.cz</a>

Výsledek na webu

<a href="https://doi.org/10.1484/J.CONVI.4.2019043" target="_blank" >https://doi.org/10.1484/J.CONVI.4.2019043</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1484/J.CONVI.4.2019043" target="_blank" >10.1484/J.CONVI.4.2019043</a>

Jazyk výsledku

angličtina

Název v původním jazyce

The Wolfgang Born – Kondakov Institute Correspondence : Art History, Freedom, and the Rising Fear in the 1930s

Popis výsledku v původním jazyce

Between 1931 and 1934, German artist and art historian Wolfgang Born exchanged several letters with the Kondakov Institute in Prague. Written during the troubled years of rising nationalism in Europe, these letters tell both part of Born’s story and, indirectly, of the Russian émigré institute itself. Born’s life story, until his forced emigration, allows us to question the role of culture at large when the society is under invasive political threat.It shows a trajectory from a vast, intercon- nected, intellectual milieu towards a fragmented world of émigré scholars. Above all, this epistolary exchange highlights how similar questions on the origins of artistic forms arose in humanistic milieus across Europe. It also illustrates how the rising totalitarian regimes attempted to shoehorn those inquiries into propagandistic, rac- ist narratives.

Název v anglickém jazyce

The Wolfgang Born – Kondakov Institute Correspondence : Art History, Freedom, and the Rising Fear in the 1930s

Popis výsledku anglicky

Between 1931 and 1934, German artist and art historian Wolfgang Born exchanged several letters with the Kondakov Institute in Prague. Written during the troubled years of rising nationalism in Europe, these letters tell both part of Born’s story and, indirectly, of the Russian émigré institute itself. Born’s life story, until his forced emigration, allows us to question the role of culture at large when the society is under invasive political threat.It shows a trajectory from a vast, intercon- nected, intellectual milieu towards a fragmented world of émigré scholars. Above all, this epistolary exchange highlights how similar questions on the origins of artistic forms arose in humanistic milieus across Europe. It also illustrates how the rising totalitarian regimes attempted to shoehorn those inquiries into propagandistic, rac- ist narratives.

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

—

OECD FORD obor

60401 - Arts, Art history

Projekt

<a href="/cs/project/GA18-20666S" target="_blank" >GA18-20666S: Kondakovovo dědictví, Byzance a emigrace (André Grabar a Seminarium Kondakovianum)</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2019

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Convivium : Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Mediterranean : Seminarium Kondakovianum Series Nova

ISSN

2336-3452

e-ISSN

—

Svazek periodika

6

Číslo periodika v rámci svazku

2

Stát vydavatele periodika

BE - Belgické království

Počet stran výsledku

8

Strana od-do

128-135

Kód UT WoS článku

000498806300009

EID výsledku v databázi Scopus

2-s2.0-85075593290