De-marginalizing Byzantium : Venice Dialogues

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F19%3A00107877" target="_blank" >RIV/00216224:14210/19:00107877 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

De-marginalizing Byzantium : Venice Dialogues

Popis výsledku v původním jazyce

The workshop will explore the question of why Byzantium was and keeps being marginalized within the western academic canon and to a lesser extent in the public discourse. Instead of resurrecting the 19 th and early 20 th century academic debate known as the “Byzantine question” (“Byzantinische Frage”), this workshop examines the historiographical mechanisms and turning points that resulted in the marginalization of Byzantium in art history and related fields. In an atempt to move past pinpointing single moments of “influence” from Byzantium to the West, the workshop asks why the one hundred-year search to answer the “Byzantine question” was unsuccessful, failing to secure a prominent place for the Eastern Roman Empire within art historical teaching and scholarship. Building on these insights, the workshop will delve into practical aspects, seeking possible places for Byzantium after the end of a linear, chronological art historical canon as described by Hans Belting (Das Ende der Kunstgeschichte: Eine Revision nach 10 Jahren) and others. The talks will focus on historiography and scholarly networks, on questions of collecting, artistic production, national and supranational political thought, and on Byzantium’s place within the boundaries of modern academic disciplines.

Název v anglickém jazyce

De-marginalizing Byzantium : Venice Dialogues

Popis výsledku anglicky

The workshop will explore the question of why Byzantium was and keeps being marginalized within the western academic canon and to a lesser extent in the public discourse. Instead of resurrecting the 19 th and early 20 th century academic debate known as the “Byzantine question” (“Byzantinische Frage”), this workshop examines the historiographical mechanisms and turning points that resulted in the marginalization of Byzantium in art history and related fields. In an atempt to move past pinpointing single moments of “influence” from Byzantium to the West, the workshop asks why the one hundred-year search to answer the “Byzantine question” was unsuccessful, failing to secure a prominent place for the Eastern Roman Empire within art historical teaching and scholarship. Building on these insights, the workshop will delve into practical aspects, seeking possible places for Byzantium after the end of a linear, chronological art historical canon as described by Hans Belting (Das Ende der Kunstgeschichte: Eine Revision nach 10 Jahren) and others. The talks will focus on historiography and scholarly networks, on questions of collecting, artistic production, national and supranational political thought, and on Byzantium’s place within the boundaries of modern academic disciplines.

Druh

W - Uspořádání workshopu

CEP obor

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OECD FORD obor

60401 - Arts, Art history

Projekt

<a href="/cs/project/GA18-20666S" target="_blank" >GA18-20666S: Kondakovovo dědictví, Byzance a emigrace (André Grabar a Seminarium Kondakovianum)</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2019

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Místo konání akce

Benátky

Stát konání akce

IT - Italská republika

Datum zahájení akce

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Datum ukončení akce

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Celkový počet účastníků

10

Počet zahraničních účastníků

9

Typ akce podle státní přísl. účastníků

WRD - Celosvětová akce