Between ‘gout grec’ and ‘diverse maniere’ : Neoclassical Decorative Arts in Central Europe in the Second Half of the 18th Century

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F20%3A00114350" target="_blank" >RIV/00216224:14210/20:00114350 - isvavai.cz</a>

Výsledek na webu

<a href="http://www.libraweb.net/articoli.php?chiave=202011901&rivista=119" target="_blank" >http://www.libraweb.net/articoli.php?chiave=202011901&rivista=119</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.19272/202011901001" target="_blank" >10.19272/202011901001</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Between ‘gout grec’ and ‘diverse maniere’ : Neoclassical Decorative Arts in Central Europe in the Second Half of the 18th Century

Popis výsledku v původním jazyce

The study explores the influence the Italian antiquarian tradition (Giovanni Battista Piranesi, Giocondo Albertolli, Carlo Antonini etc.) in the example of a group of artworks created by several artists in one province of the Habsburg Empire. The first part of the study focuses on several designs and works of decorative art that lie on the edge between painting, sculpture, and decorative art. The second part seeks to interpret the findings of the analysis in the wider context of contemporary Enlightenment reforms, the formation of modern institutions, and, generally, the transformation of the Habsburg Monarchy’s cultural policy in the period towards the end of Empress Maria Theresa’s rule (1740-1780) and the beginning of that of Emperor Joseph II (1780-1790). The article concludes by reflecting on the nature of transcultural transfers in the late 18th century, defined, on the one hand, by the Enlightenment ideal of a universal culture and, on the other, by relatively overt efforts to create a local, to some degree ‘nationalised’, interpretation of that ideal.

Název v anglickém jazyce

Between ‘gout grec’ and ‘diverse maniere’ : Neoclassical Decorative Arts in Central Europe in the Second Half of the 18th Century

Popis výsledku anglicky

The study explores the influence the Italian antiquarian tradition (Giovanni Battista Piranesi, Giocondo Albertolli, Carlo Antonini etc.) in the example of a group of artworks created by several artists in one province of the Habsburg Empire. The first part of the study focuses on several designs and works of decorative art that lie on the edge between painting, sculpture, and decorative art. The second part seeks to interpret the findings of the analysis in the wider context of contemporary Enlightenment reforms, the formation of modern institutions, and, generally, the transformation of the Habsburg Monarchy’s cultural policy in the period towards the end of Empress Maria Theresa’s rule (1740-1780) and the beginning of that of Emperor Joseph II (1780-1790). The article concludes by reflecting on the nature of transcultural transfers in the late 18th century, defined, on the one hand, by the Enlightenment ideal of a universal culture and, on the other, by relatively overt efforts to create a local, to some degree ‘nationalised’, interpretation of that ideal.

Druh

J_ost - Ostatní články v recenzovaných periodicích

CEP obor

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OECD FORD obor

60401 - Arts, Art history

Projekt

<a href="/cs/project/GA20-09541S" target="_blank" >GA20-09541S: Dějiny umění na Moravě: Morava v dějinách umění</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2020

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Studi Neoclassici Rivista Internazionale

ISSN

2420-8264

e-ISSN

2283-9801

Svazek periodika

8

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

IT - Italská republika

Počet stran výsledku

11

Strana od-do

9-19

Kód UT WoS článku

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EID výsledku v databázi Scopus

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