Rome between Lights and Shadows : Reconsidering “Renaissances” and “Decadence” in Early Medieval Rome

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F20%3A00117763" target="_blank" >RIV/00216224:14210/20:00117763 - isvavai.cz</a>

Výsledek na webu

<a href="http://www.brepols.net/Pages/BrowseBySeries.aspx?TreeSeries=CONVISUP" target="_blank" >http://www.brepols.net/Pages/BrowseBySeries.aspx?TreeSeries=CONVISUP</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Rome between Lights and Shadows : Reconsidering “Renaissances” and “Decadence” in Early Medieval Rome

Popis výsledku v původním jazyce

The culture of ninth- and tenth-century Rome has always been perceived within a historiographical framework of alternating periods of rebirth and decline. This paper considers how the idea of “medieval renaissances”arose, how it evolved in the field of art history, and how it has affected the study of early medieval Rome. The paper also deals with a particular aspect of the modern historiography of Rome: the latter originated in debates between Protestants and Catholics in the sixteenth and seventeenth centuries, while the papacy remained, as always, the focus of historical narratives. Finally, the paper shows how art historians’ views of Rome’s ninth- and tenth-century material culture and art have, to a certain extent, been bound up with these historiographical tendencies.

Název v anglickém jazyce

Rome between Lights and Shadows : Reconsidering “Renaissances” and “Decadence” in Early Medieval Rome

Popis výsledku anglicky

The culture of ninth- and tenth-century Rome has always been perceived within a historiographical framework of alternating periods of rebirth and decline. This paper considers how the idea of “medieval renaissances”arose, how it evolved in the field of art history, and how it has affected the study of early medieval Rome. The paper also deals with a particular aspect of the modern historiography of Rome: the latter originated in debates between Protestants and Catholics in the sixteenth and seventeenth centuries, while the papacy remained, as always, the focus of historical narratives. Finally, the paper shows how art historians’ views of Rome’s ninth- and tenth-century material culture and art have, to a certain extent, been bound up with these historiographical tendencies.

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

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OECD FORD obor

60401 - Arts, Art history

Projekt

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Návaznosti

S - Specificky vyzkum na vysokych skolach<br>I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2020

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Convivium

ISSN

2336-3452

e-ISSN

2336-808X

Svazek periodika

2020

Číslo periodika v rámci svazku

Supplementum 2

Stát vydavatele periodika

BE - Belgické království

Počet stran výsledku

17

Strana od-do

16-31

Kód UT WoS článku

999

EID výsledku v databázi Scopus

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