Scenography 2019 in PQ Talks
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F20%3A00118024" target="_blank" >RIV/00216224:14210/20:00118024 - isvavai.cz</a>
Výsledek na webu
<a href="https://www.tandfonline.com/doi/full/10.1080/23322551.2020.1771943" target="_blank" >https://www.tandfonline.com/doi/full/10.1080/23322551.2020.1771943</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.1080/23322551.2020.1771943" target="_blank" >10.1080/23322551.2020.1771943</a>
Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
Scenography 2019 in PQ Talks
Popis výsledku v původním jazyce
The Prague Quadrennial's new Artistic Director, Markéta Fantová, and her team came up with a revised model for the 2019 edition of PQ. One of the changes was the promotion of PQ Talks into a full program in the event. The new concept of PQ Talks also incorporated most of the other "speaking" events – from keynotes, through awards, to roundtables invited from the other programs. Given the popularity of PQ Talks in previous years, the new concept capitalized on the social joys of dialogue and of the spoken word that complements the visual, spatial, acoustic and haptic experience of scenography and design. It also became an important tool towards political and intercultural plurality and inclusivity in that it offered a chance to participate and present work to scenography practitioners and scholars who would otherwise be unable to become part of the program. The ability to attend Prague Quadrennial is still greatly dependent on economic, institutional or political privilege, and for that reason, much of what we consider scenography or performance design does not make it to the PQ. "Everyone can be here – if they can afford it" is the underlying dictum of most festivals and events welcoming the widest possible international public. While that dictum still holds, the new PQ Talks were intended as a significant step towards making active participation in the world's largest exhibition of performance design and scenography possible to a wider range of professionals.
Název v anglickém jazyce
Scenography 2019 in PQ Talks
Popis výsledku anglicky
The Prague Quadrennial's new Artistic Director, Markéta Fantová, and her team came up with a revised model for the 2019 edition of PQ. One of the changes was the promotion of PQ Talks into a full program in the event. The new concept of PQ Talks also incorporated most of the other "speaking" events – from keynotes, through awards, to roundtables invited from the other programs. Given the popularity of PQ Talks in previous years, the new concept capitalized on the social joys of dialogue and of the spoken word that complements the visual, spatial, acoustic and haptic experience of scenography and design. It also became an important tool towards political and intercultural plurality and inclusivity in that it offered a chance to participate and present work to scenography practitioners and scholars who would otherwise be unable to become part of the program. The ability to attend Prague Quadrennial is still greatly dependent on economic, institutional or political privilege, and for that reason, much of what we consider scenography or performance design does not make it to the PQ. "Everyone can be here – if they can afford it" is the underlying dictum of most festivals and events welcoming the widest possible international public. While that dictum still holds, the new PQ Talks were intended as a significant step towards making active participation in the world's largest exhibition of performance design and scenography possible to a wider range of professionals.
Klasifikace
Druh
J<sub>ost</sub> - Ostatní články v recenzovaných periodicích
CEP obor
—
OECD FORD obor
60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)
Návaznosti výsledku
Projekt
—
Návaznosti
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace
Ostatní
Rok uplatnění
2020
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název periodika
Theatre and Performance Design
ISSN
2332-2551
e-ISSN
2332-2578
Svazek periodika
6
Číslo periodika v rámci svazku
1-2
Stát vydavatele periodika
US - Spojené státy americké
Počet stran výsledku
11
Strana od-do
26-36
Kód UT WoS článku
—
EID výsledku v databázi Scopus
2-s2.0-85091648721