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Scenography 2019 in PQ Talks

Identifikátory výsledku

  • Kód výsledku v IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F20%3A00118024" target="_blank" >RIV/00216224:14210/20:00118024 - isvavai.cz</a>

  • Výsledek na webu

    <a href="https://www.tandfonline.com/doi/full/10.1080/23322551.2020.1771943" target="_blank" >https://www.tandfonline.com/doi/full/10.1080/23322551.2020.1771943</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.1080/23322551.2020.1771943" target="_blank" >10.1080/23322551.2020.1771943</a>

Alternativní jazyky

  • Jazyk výsledku

    angličtina

  • Název v původním jazyce

    Scenography 2019 in PQ Talks

  • Popis výsledku v původním jazyce

    The Prague Quadrennial's new Artistic Director, Markéta Fantová, and her team came up with a revised model for the 2019 edition of PQ. One of the changes was the promotion of PQ Talks into a full program in the event. The new concept of PQ Talks also incorporated most of the other "speaking" events – from keynotes, through awards, to roundtables invited from the other programs. Given the popularity of PQ Talks in previous years, the new concept capitalized on the social joys of dialogue and of the spoken word that complements the visual, spatial, acoustic and haptic experience of scenography and design. It also became an important tool towards political and intercultural plurality and inclusivity in that it offered a chance to participate and present work to scenography practitioners and scholars who would otherwise be unable to become part of the program. The ability to attend Prague Quadrennial is still greatly dependent on economic, institutional or political privilege, and for that reason, much of what we consider scenography or performance design does not make it to the PQ. "Everyone can be here – if they can afford it" is the underlying dictum of most festivals and events welcoming the widest possible international public. While that dictum still holds, the new PQ Talks were intended as a significant step towards making active participation in the world's largest exhibition of performance design and scenography possible to a wider range of professionals.

  • Název v anglickém jazyce

    Scenography 2019 in PQ Talks

  • Popis výsledku anglicky

    The Prague Quadrennial's new Artistic Director, Markéta Fantová, and her team came up with a revised model for the 2019 edition of PQ. One of the changes was the promotion of PQ Talks into a full program in the event. The new concept of PQ Talks also incorporated most of the other "speaking" events – from keynotes, through awards, to roundtables invited from the other programs. Given the popularity of PQ Talks in previous years, the new concept capitalized on the social joys of dialogue and of the spoken word that complements the visual, spatial, acoustic and haptic experience of scenography and design. It also became an important tool towards political and intercultural plurality and inclusivity in that it offered a chance to participate and present work to scenography practitioners and scholars who would otherwise be unable to become part of the program. The ability to attend Prague Quadrennial is still greatly dependent on economic, institutional or political privilege, and for that reason, much of what we consider scenography or performance design does not make it to the PQ. "Everyone can be here – if they can afford it" is the underlying dictum of most festivals and events welcoming the widest possible international public. While that dictum still holds, the new PQ Talks were intended as a significant step towards making active participation in the world's largest exhibition of performance design and scenography possible to a wider range of professionals.

Klasifikace

  • Druh

    J<sub>ost</sub> - Ostatní články v recenzovaných periodicích

  • CEP obor

  • OECD FORD obor

    60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Návaznosti výsledku

  • Projekt

  • Návaznosti

    I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Ostatní

  • Rok uplatnění

    2020

  • Kód důvěrnosti údajů

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Údaje specifické pro druh výsledku

  • Název periodika

    Theatre and Performance Design

  • ISSN

    2332-2551

  • e-ISSN

    2332-2578

  • Svazek periodika

    6

  • Číslo periodika v rámci svazku

    1-2

  • Stát vydavatele periodika

    US - Spojené státy americké

  • Počet stran výsledku

    11

  • Strana od-do

    26-36

  • Kód UT WoS článku

  • EID výsledku v databázi Scopus

    2-s2.0-85091648721