Moving Pictures in Motion : Methods of Geographical Analysis and Visualisation in Comparative Research on Local Film Exhibition Using a Case Study of Brno and Ghent in 1952

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F20%3A00121605" target="_blank" >RIV/00216224:14210/20:00121605 - isvavai.cz</a>

Výsledek na webu

<a href="https://www.tmgonline.nl/articles/10.18146/tmg.672/" target="_blank" >https://www.tmgonline.nl/articles/10.18146/tmg.672/</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.18146/tmg.672" target="_blank" >10.18146/tmg.672</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Moving Pictures in Motion : Methods of Geographical Analysis and Visualisation in Comparative Research on Local Film Exhibition Using a Case Study of Brno and Ghent in 1952

Popis výsledku v původním jazyce

In recent years, spatial digital tools have become an important part of New Cinema History research. However, the use of spatial visualisation methods remains inconsistent and the ground norms have yet to be established, especially in a comparative approach. In this paper, we explore the possibilities of working with spatial visualisation: what are the benefits of its use and what new perspectives on a given problem can this approach reveal? Drawing on a quantitative analysis of cinema programmes, we incorporate geospatial as well as temporal aspects of film trajectories. In doing so, we explore to what extent the communication between cinemas and their strategies of programming can be explained through the geospatial perspective. By visualising the film circulation within two mid-sized cities (Ghent in Belgium and Brno in the Czech Republic) in 1952, the method reveals patterns in film trajectories and relationships between the cinemas. These findings show the potential for the incorporation of geospatial visualisation in a comparative research design.

Název v anglickém jazyce

Moving Pictures in Motion : Methods of Geographical Analysis and Visualisation in Comparative Research on Local Film Exhibition Using a Case Study of Brno and Ghent in 1952

Popis výsledku anglicky

In recent years, spatial digital tools have become an important part of New Cinema History research. However, the use of spatial visualisation methods remains inconsistent and the ground norms have yet to be established, especially in a comparative approach. In this paper, we explore the possibilities of working with spatial visualisation: what are the benefits of its use and what new perspectives on a given problem can this approach reveal? Drawing on a quantitative analysis of cinema programmes, we incorporate geospatial as well as temporal aspects of film trajectories. In doing so, we explore to what extent the communication between cinemas and their strategies of programming can be explained through the geospatial perspective. By visualising the film circulation within two mid-sized cities (Ghent in Belgium and Brno in the Czech Republic) in 1952, the method reveals patterns in film trajectories and relationships between the cinemas. These findings show the potential for the incorporation of geospatial visualisation in a comparative research design.

Druh

J_ost - Ostatní články v recenzovaných periodicích

CEP obor

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OECD FORD obor

60405 - Studies on Film, Radio and Television

Projekt

—

Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2020

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

TMG Journal for Media History

ISSN

2213-7653

e-ISSN

2213-7653

Svazek periodika

23

Číslo periodika v rámci svazku

1-2

Stát vydavatele periodika

NL - Nizozemsko

Počet stran výsledku

39

Strana od-do

1-39

Kód UT WoS článku

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EID výsledku v databázi Scopus

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