Restored and De-restored : Killing Off Garrick in John Philip Kemble's King Lear

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F21%3A00119576" target="_blank" >RIV/00216224:14210/21:00119576 - isvavai.cz</a>

Výsledek na webu

<a href="https://digilib.phil.muni.cz/handle/11222.digilib/143816" target="_blank" >https://digilib.phil.muni.cz/handle/11222.digilib/143816</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.5817/TY2021-1-7" target="_blank" >10.5817/TY2021-1-7</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Restored and De-restored : Killing Off Garrick in John Philip Kemble's King Lear

Popis výsledku v původním jazyce

Nahum Tate's Restoration version of King Lear (1680 or 1681) managed to replace Shakespeare's original on English stages for more than a century and a half. While the efforts of David Garick and George Colman to reinstate Shakespeare's plot and language in English theatres in the latter half of the eighteenth century have been acknowledged, little has been said in this respect about the late eighteenth-century actor and theatre manager John Philip Kemble and his version of the play that premiered in 1792. The present article will try to propose the possible motivation of Kemble's step to discard Garrick's popular alteration and will also argue that the decision to erase Garrick's restorations and recur essentially to Tate's outmoded version of the play at the end of the eighteenth century was probably one of the factors that helped to restore Shakespeare's original in English theatres when King Lear was revived in the 1820s after a decade-long hiatus.

Název v anglickém jazyce

Restored and De-restored : Killing Off Garrick in John Philip Kemble's King Lear

Popis výsledku anglicky

Nahum Tate's Restoration version of King Lear (1680 or 1681) managed to replace Shakespeare's original on English stages for more than a century and a half. While the efforts of David Garick and George Colman to reinstate Shakespeare's plot and language in English theatres in the latter half of the eighteenth century have been acknowledged, little has been said in this respect about the late eighteenth-century actor and theatre manager John Philip Kemble and his version of the play that premiered in 1792. The present article will try to propose the possible motivation of Kemble's step to discard Garrick's popular alteration and will also argue that the decision to erase Garrick's restorations and recur essentially to Tate's outmoded version of the play at the end of the eighteenth century was probably one of the factors that helped to restore Shakespeare's original in English theatres when King Lear was revived in the 1820s after a decade-long hiatus.

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

60206 - Specific literatures

Projekt

<a href="/cs/project/GA19-07494S" target="_blank" >GA19-07494S: Anglická divadelní kultura 1660-1737</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2021

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Theatralia

ISSN

1803-845X

e-ISSN

2336-4548

Svazek periodika

24

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

9

Strana od-do

92-100

Kód UT WoS článku

—

EID výsledku v databázi Scopus

2-s2.0-85106920033