Creating and sharing public humour across traditional and new media

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F21%3A00121292" target="_blank" >RIV/00216224:14210/21:00121292 - isvavai.cz</a>

Výsledek na webu

<a href="http://www.sciencedirect.com/science/article/pii/S0378216621000837" target="_blank" >http://www.sciencedirect.com/science/article/pii/S0378216621000837</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1016/j.pragma.2021.02.020" target="_blank" >10.1016/j.pragma.2021.02.020</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Creating and sharing public humour across traditional and new media

Popis výsledku v původním jazyce

This paper gives a theoretical introduction to the pragmatic research on the communication of public humour in traditional and new media, notably on social media. It discusses some of the central problems relevant to humour research and media communication. It describes, among other things, how the technological affordances of traditional and new media affect the underlying participation frameworks and how audience involvement affects humour as an interactional process, in both unscripted and scripted (sometimes also fictional) mediatised discourses. This introductory article to the special issue on the creation and sharing of humour across the media also calls attention to the need for multimodal analysis of media humour, which ranges from memes to broadcasts and films, as well as to the processes of decontextualisation and recontextualisation, which are germane to the production and reception of humour in various traditional and new media contexts.

Název v anglickém jazyce

Creating and sharing public humour across traditional and new media

Popis výsledku anglicky

This paper gives a theoretical introduction to the pragmatic research on the communication of public humour in traditional and new media, notably on social media. It discusses some of the central problems relevant to humour research and media communication. It describes, among other things, how the technological affordances of traditional and new media affect the underlying participation frameworks and how audience involvement affects humour as an interactional process, in both unscripted and scripted (sometimes also fictional) mediatised discourses. This introductory article to the special issue on the creation and sharing of humour across the media also calls attention to the need for multimodal analysis of media humour, which ranges from memes to broadcasts and films, as well as to the processes of decontextualisation and recontextualisation, which are germane to the production and reception of humour in various traditional and new media contexts.

Druh

O - Ostatní výsledky

CEP obor

—

OECD FORD obor

60203 - Linguistics

Projekt

—

Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2021

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů