“Romanesque” Conques as a Neo-Carolingian Project

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F21%3A00123163" target="_blank" >RIV/00216224:14210/21:00123163 - isvavai.cz</a>

Výsledek na webu

<a href="http://www.brepols.net/Pages/ShowProduct.aspx?prod_id=IS-9782503592084-1" target="_blank" >http://www.brepols.net/Pages/ShowProduct.aspx?prod_id=IS-9782503592084-1</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

“Romanesque” Conques as a Neo-Carolingian Project

Popis výsledku v původním jazyce

Begun in 2021, the first team encounter of the project “Conques in the Global World”generated an innovative reinterpretation of the site. Departing from the nineteenth- and twentieth-century explication of Conques as the ideal image of the Romanesque Middle Ages, the site is here envisaged as a space of memorialization of the past for the present. This memorialization, we argue, began in fact at the church’s conception, with the founders’ decision to reflect the character and significance of Carolingian antecedents. This Carolingian echo is evident in the material and epigraphic culture created at Conques around 1100, from the portal inscriptions to the reliquaries held below ground in the treasure. What is postulated here, and proposed for future research, is the understanding that Conques has been a memory space since it was conceived the eleventh century – a space in which a specific memory of an authoritative past is reinvented for the longue durée to confer legitimacy to a place and its religious community.

Název v anglickém jazyce

“Romanesque” Conques as a Neo-Carolingian Project

Popis výsledku anglicky

Begun in 2021, the first team encounter of the project “Conques in the Global World”generated an innovative reinterpretation of the site. Departing from the nineteenth- and twentieth-century explication of Conques as the ideal image of the Romanesque Middle Ages, the site is here envisaged as a space of memorialization of the past for the present. This memorialization, we argue, began in fact at the church’s conception, with the founders’ decision to reflect the character and significance of Carolingian antecedents. This Carolingian echo is evident in the material and epigraphic culture created at Conques around 1100, from the portal inscriptions to the reliquaries held below ground in the treasure. What is postulated here, and proposed for future research, is the understanding that Conques has been a memory space since it was conceived the eleventh century – a space in which a specific memory of an authoritative past is reinvented for the longue durée to confer legitimacy to a place and its religious community.

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

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OECD FORD obor

60401 - Arts, Art history

Projekt

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Návaznosti

R - Projekt Ramcoveho programu EK

Rok uplatnění

2021

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Convivium : Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Mediterreanean

ISSN

2336-3452

e-ISSN

2336-808X

Svazek periodika

8

Číslo periodika v rámci svazku

2

Stát vydavatele periodika

BE - Belgické království

Počet stran výsledku

7

Strana od-do

168-174

Kód UT WoS článku

000752404100010

EID výsledku v databázi Scopus

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