Six Observations on the Performation of Hába´s Microtonal Music

Kód výsledku v IS VaVaI

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Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Six Observations on the Performation of Hába´s Microtonal Music

Popis výsledku v původním jazyce

This “Essays” is one of the chapters of the book “New Paths in Opera: Martinů—Burian—Hába—Schulhoff—Ullmann”. The study is dedicated to the applied interpretation and performance of the microtonal works of Alois Hába, especially his chamber and choral compositions. In the general perspective of music history, Alois Hába is usually characterised as one of the leading protagonists of the Central European inter-war avant-garde that moved between Vienna, Berlin and Prague. In the specific context of Czech music he likewise has the reputation of an exemplary innovator but is considered to have been strongly rooted in tradition as well. Hába is known primarily as a tireless propagator of microtonal and athematic music, for which his own term was "liberated music". In this music he added more subtle quarter-, fifth- and sixth-tone intervals to the semitone system and abandoned up traditional treatment of motifs.

Název v anglickém jazyce

Six Observations on the Performation of Hába´s Microtonal Music

Popis výsledku anglicky

This “Essays” is one of the chapters of the book “New Paths in Opera: Martinů—Burian—Hába—Schulhoff—Ullmann”. The study is dedicated to the applied interpretation and performance of the microtonal works of Alois Hába, especially his chamber and choral compositions. In the general perspective of music history, Alois Hába is usually characterised as one of the leading protagonists of the Central European inter-war avant-garde that moved between Vienna, Berlin and Prague. In the specific context of Czech music he likewise has the reputation of an exemplary innovator but is considered to have been strongly rooted in tradition as well. Hába is known primarily as a tireless propagator of microtonal and athematic music, for which his own term was "liberated music". In this music he added more subtle quarter-, fifth- and sixth-tone intervals to the semitone system and abandoned up traditional treatment of motifs.

Druh

C - Kapitola v odborné knize

CEP obor

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OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2021

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

New Paths in Opera : Martinů–Burian–Hába–Schulhoff–Ullmann

ISBN

9783990940082

Počet stran výsledku

20

Strana od-do

221-240

Počet stran knihy

326

Název nakladatele

Holitzer

Místo vydání

Vienna

Kód UT WoS kapitoly

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