Introduction : Representation and Spectatorship in an Age of Excessive Visuality

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F21%3A00135136" target="_blank" >RIV/00216224:14210/21:00135136 - isvavai.cz</a>

Výsledek na webu

<a href="https://ejournals.lib.auth.gr/gramma/article/view/9516" target="_blank" >https://ejournals.lib.auth.gr/gramma/article/view/9516</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.26262/gramma.v28i0.9516" target="_blank" >10.26262/gramma.v28i0.9516</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Introduction : Representation and Spectatorship in an Age of Excessive Visuality

Popis výsledku v původním jazyce

The paper explores the intricate relationship between representation and spectatorship within the evolving landscape of visual culture, particularly in the context of contemporary technological advancements and social media proliferation. The authors argue that the reciprocal nature of these concepts has been significantly influenced by the exponential growth of digital technologies, resulting in an era characterized by unprecedented "density, reach, and immediacy of the visual." The article delves into how this visual excess impacts cultural, social, and political dynamics, and how theatre and performance arts respond to and reflect these changes. Key discussions include the influence of neoliberal conditions, the omnipresence of surveillance, the impact of digital reproduction, and the role of documentary theatre in engaging with contemporary issues. Through critical examinations of works by scholars like Susan Bennett, Raymond Williams, and Janelle Reinelt, as well as practical examples from modern theatre, the authors provide a comprehensive analysis of how visuality shapes and is shaped by human activity and experience in the digital age.

Název v anglickém jazyce

Introduction : Representation and Spectatorship in an Age of Excessive Visuality

Popis výsledku anglicky

The paper explores the intricate relationship between representation and spectatorship within the evolving landscape of visual culture, particularly in the context of contemporary technological advancements and social media proliferation. The authors argue that the reciprocal nature of these concepts has been significantly influenced by the exponential growth of digital technologies, resulting in an era characterized by unprecedented "density, reach, and immediacy of the visual." The article delves into how this visual excess impacts cultural, social, and political dynamics, and how theatre and performance arts respond to and reflect these changes. Key discussions include the influence of neoliberal conditions, the omnipresence of surveillance, the impact of digital reproduction, and the role of documentary theatre in engaging with contemporary issues. Through critical examinations of works by scholars like Susan Bennett, Raymond Williams, and Janelle Reinelt, as well as practical examples from modern theatre, the authors provide a comprehensive analysis of how visuality shapes and is shaped by human activity and experience in the digital age.

Druh

J_ost - Ostatní články v recenzovaných periodicích

CEP obor

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OECD FORD obor

60206 - Specific literatures

Projekt

—

Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2021

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Gramma: Journal of Theory and Criticism

ISSN

2529-1793

e-ISSN

2529-1793

Svazek periodika

2021

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

GR - Řecká republika

Počet stran výsledku

10

Strana od-do

1-10

Kód UT WoS článku

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EID výsledku v databázi Scopus

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