Czech Pagan Metal : A Short Introduction to Major Local Trends

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F22%3A00128660" target="_blank" >RIV/00216224:14210/22:00128660 - isvavai.cz</a>

Výsledek na webu

<a href="https://studiadecultura.up.krakow.pl/issue/view/689" target="_blank" >https://studiadecultura.up.krakow.pl/issue/view/689</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.24917/20837275.14.3.6" target="_blank" >10.24917/20837275.14.3.6</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Czech Pagan Metal : A Short Introduction to Major Local Trends

Popis výsledku v původním jazyce

This article offers a short introduction to Czech pagan metal. I offer a brief summary of the main trends within the local scene and analyze how Paganism is discursively constructed in the music and lyrics of three bands representing different metal sub-genres: Inferno, Silent Stream of Godless Elegy, and Žrec. I seek answers for some important questions. How do Czech bands approach Paganism? In what ways, if any, is Czech pagan metal unique? Or do Czech pagan metal bands simply copy global trends? How important is spiritual identity in the personal lives of Pagan metal band members? The main theoretical inspirations for the article are Robert Walser’s discursive study of heavy metal and Keith Kahn-Harris’s concept of scene. The analysis of lyrics and music is enhanced by data from ethnological and quantitative research among listeners of Czech Pagan metal music.

Název v anglickém jazyce

Czech Pagan Metal : A Short Introduction to Major Local Trends

Popis výsledku anglicky

This article offers a short introduction to Czech pagan metal. I offer a brief summary of the main trends within the local scene and analyze how Paganism is discursively constructed in the music and lyrics of three bands representing different metal sub-genres: Inferno, Silent Stream of Godless Elegy, and Žrec. I seek answers for some important questions. How do Czech bands approach Paganism? In what ways, if any, is Czech pagan metal unique? Or do Czech pagan metal bands simply copy global trends? How important is spiritual identity in the personal lives of Pagan metal band members? The main theoretical inspirations for the article are Robert Walser’s discursive study of heavy metal and Keith Kahn-Harris’s concept of scene. The analysis of lyrics and music is enhanced by data from ethnological and quantitative research among listeners of Czech Pagan metal music.

Druh

J_ost - Ostatní články v recenzovaných periodicích

CEP obor

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OECD FORD obor

60304 - Religious studies

Projekt

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Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2022

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Annales Universitatis Paedagogicae: Studia de Cultura

ISSN

2083-7275

e-ISSN

2391-4432

Svazek periodika

14

Číslo periodika v rámci svazku

3

Stát vydavatele periodika

PL - Polská republika

Počet stran výsledku

19

Strana od-do

72-90

Kód UT WoS článku

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EID výsledku v databázi Scopus

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