The Black Box Book : Archives and Curatorship in the Age of Transformation of Art Institutions

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F22%3A00129562" target="_blank" >RIV/00216224:14210/22:00129562 - isvavai.cz</a>

Výsledek na webu

<a href="http://dx.doi.org/10.5817/CZ.MUNI.M280-0225-2022" target="_blank" >http://dx.doi.org/10.5817/CZ.MUNI.M280-0225-2022</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.5817/CZ.MUNI.M280-0225-2022" target="_blank" >10.5817/CZ.MUNI.M280-0225-2022</a>

Jazyk výsledku

angličtina

Název v původním jazyce

The Black Box Book : Archives and Curatorship in the Age of Transformation of Art Institutions

Popis výsledku v původním jazyce

The publication is the result of the efforts of an international collective of authors to capture the transformation of exhibition institutions and curation during the Covid 19 pandemic, with a focus on the year 2020. It seeks an answer to the question of how curatorial strategies, communication platforms and the social function of exhibition institutions have changed under the influence of rapid and external circumstances, that forced transition from physical gallery spaces to online. It critically reflects on the exhibition project Černá skříňka/The Black Box (Galerie TIC), in which several curatorial approaches were applied, including the use of artificial intelligence, and places it in the broad context of curatorial projects that were carried out at the same time at home and abroad as well as in the network of terminology apparatus, which is built around the phenomenon of online curation. The research method is a combination of writing the history of presence, mostly from the pen of direct participants, which lends authenticity and engagement to the texts, with theoretical reflection informed by digital and network media theory.

Název v anglickém jazyce

The Black Box Book : Archives and Curatorship in the Age of Transformation of Art Institutions

Popis výsledku anglicky

The publication is the result of the efforts of an international collective of authors to capture the transformation of exhibition institutions and curation during the Covid 19 pandemic, with a focus on the year 2020. It seeks an answer to the question of how curatorial strategies, communication platforms and the social function of exhibition institutions have changed under the influence of rapid and external circumstances, that forced transition from physical gallery spaces to online. It critically reflects on the exhibition project Černá skříňka/The Black Box (Galerie TIC), in which several curatorial approaches were applied, including the use of artificial intelligence, and places it in the broad context of curatorial projects that were carried out at the same time at home and abroad as well as in the network of terminology apparatus, which is built around the phenomenon of online curation. The research method is a combination of writing the history of presence, mostly from the pen of direct participants, which lends authenticity and engagement to the texts, with theoretical reflection informed by digital and network media theory.

Druh

B - Odborná kniha

CEP obor

—

OECD FORD obor

60405 - Studies on Film, Radio and Television

Projekt

<a href="/cs/project/TL02000270" target="_blank" >TL02000270: Media Art Live Archive: Inteligentní rozhraní pro interaktivní zprostředkování kulturního dědictví</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2022

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

ISBN

9788028002251

Počet stran knihy

421

Název nakladatele

Masaryk University Press

Místo vydání

Brno

Kód UT WoS knihy

—