Puer renidens (Mart. Cap. 2.144) : Revisited Topos of ‘Two Loves’ and intertextuality

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F23%3A00130140" target="_blank" >RIV/00216224:14210/23:00130140 - isvavai.cz</a>

Výsledek na webu

<a href="https://akjournals.com/view/journals/068/61/4/article-p315.xml?rskey=OMITpw&result=4" target="_blank" >https://akjournals.com/view/journals/068/61/4/article-p315.xml?rskey=OMITpw&result=4</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1556/068.2022.00034" target="_blank" >10.1556/068.2022.00034</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Puer renidens (Mart. Cap. 2.144) : Revisited Topos of ‘Two Loves’ and intertextuality

Popis výsledku v původním jazyce

Love is one of the most frequent literary motifs, often differentiated in various forms. A plurality of words for love in ancient Greek corresponds to a plurality of their divine representations in particular works, and more generally in Ancient religious and philosophical images. The most famous concept is that of the two Loves which is represented in Plato's dialogue Symposium. In the paper, the author revises the standard interpretation of the ‘Two Loves Topos’, considered in Mart. 2. 144–148, literalized as the presence of Amor and absence of Cupid in Philology's suite during her journey to heaven, in terms of literary intertextuality. After a brief outline of the literary evidence of the ‘Two Loves Topos’, Martianus Capella's comprehensive picture is analysed, connecting the archaic opposition between Amor and Cupid and the Platonic division to support his compositional intention to create a ‘new’ comprehensive Love god person, who is in accordance with the unified and harmonious world of mythological, cosmological, and philosophical scholarship.

Název v anglickém jazyce

Puer renidens (Mart. Cap. 2.144) : Revisited Topos of ‘Two Loves’ and intertextuality

Popis výsledku anglicky

Love is one of the most frequent literary motifs, often differentiated in various forms. A plurality of words for love in ancient Greek corresponds to a plurality of their divine representations in particular works, and more generally in Ancient religious and philosophical images. The most famous concept is that of the two Loves which is represented in Plato's dialogue Symposium. In the paper, the author revises the standard interpretation of the ‘Two Loves Topos’, considered in Mart. 2. 144–148, literalized as the presence of Amor and absence of Cupid in Philology's suite during her journey to heaven, in terms of literary intertextuality. After a brief outline of the literary evidence of the ‘Two Loves Topos’, Martianus Capella's comprehensive picture is analysed, connecting the archaic opposition between Amor and Cupid and the Platonic division to support his compositional intention to create a ‘new’ comprehensive Love god person, who is in accordance with the unified and harmonious world of mythological, cosmological, and philosophical scholarship.

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

60206 - Specific literatures

Projekt

—

Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2023

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Acta Antiqua Academiae Scientiarum Hungaricae

ISSN

0044-5975

e-ISSN

1588-2543

Svazek periodika

61

Číslo periodika v rámci svazku

4

Stát vydavatele periodika

HU - Maďarsko

Počet stran výsledku

16

Strana od-do

315-330

Kód UT WoS článku

—

EID výsledku v databázi Scopus

999