Old vs. New Middle Class : Collecting Identity in Interwar Central Europe as a Study Concept

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F23%3A00131311" target="_blank" >RIV/00216224:14210/23:00131311 - isvavai.cz</a>

Výsledek na webu

<a href="http://dx.doi.org/10.30965/9783657795437_011" target="_blank" >http://dx.doi.org/10.30965/9783657795437_011</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.30965/9783657795437_011" target="_blank" >10.30965/9783657795437_011</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Old vs. New Middle Class : Collecting Identity in Interwar Central Europe as a Study Concept

Popis výsledku v původním jazyce

The essay endeavours to examines the potential of recent concepts of two parallel middle classes (Peter Berger) – the old, traditional middle class and the new middle class, the knowledge class – applied on the field of modernist art collecting studies. It analyses the specific phenomenon of art collecting of businessmen, bankers, lawyers, attorneys, doctors as well as publishers, architects or artists – representatives of the quickly developing old and new middle class – that had been founded or built within the interwar period in Central Europe, as the notable integral parts of the social identity prospective constructs and private as well as professional lives lived by their owners. It suggests a structural societal categorization that aspires to link certain behavioural collecting attitudes and preferences to the individual identifiable social class or group more clearly.

Název v anglickém jazyce

Old vs. New Middle Class : Collecting Identity in Interwar Central Europe as a Study Concept

Popis výsledku anglicky

The essay endeavours to examines the potential of recent concepts of two parallel middle classes (Peter Berger) – the old, traditional middle class and the new middle class, the knowledge class – applied on the field of modernist art collecting studies. It analyses the specific phenomenon of art collecting of businessmen, bankers, lawyers, attorneys, doctors as well as publishers, architects or artists – representatives of the quickly developing old and new middle class – that had been founded or built within the interwar period in Central Europe, as the notable integral parts of the social identity prospective constructs and private as well as professional lives lived by their owners. It suggests a structural societal categorization that aspires to link certain behavioural collecting attitudes and preferences to the individual identifiable social class or group more clearly.

Druh

C - Kapitola v odborné knize

CEP obor

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OECD FORD obor

60401 - Arts, Art history

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2023

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Mapping Art Collecting in Europe, 1860-1940 : Eastern and Western Sociocultural Perspectives

ISBN

9783657795437

Počet stran výsledku

15

Strana od-do

148-162

Počet stran knihy

320

Název nakladatele

Brill | Schöningh

Místo vydání

Paderborn

Kód UT WoS kapitoly

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