Cinema-going in German-occupied Territory in the Second World War : The Impact of Film Market Regulations on Supply and Demand in Brno, Brussels, Krakow and The Hague

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F24%3A00135394" target="_blank" >RIV/00216224:14210/24:00135394 - isvavai.cz</a>

Výsledek na webu

<a href="http://dx.doi.org/10.1007/978-3-031-38789-0_15" target="_blank" >http://dx.doi.org/10.1007/978-3-031-38789-0_15</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1007/978-3-031-38789-0_15" target="_blank" >10.1007/978-3-031-38789-0_15</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Cinema-going in German-occupied Territory in the Second World War : The Impact of Film Market Regulations on Supply and Demand in Brno, Brussels, Krakow and The Hague

Popis výsledku v původním jazyce

This chapter analyses the effects of the policies of the Nazi regime on film supply and demand in four cities in four countries during the Second World War: Brussels (Belgium), The Hague (the Netherlands), Krakow (Poland) and Brno (Czechoslovakia, Protectorate of Bohemia and Moravia). We show that even though the German occupiers completely controlled film exhibition, distribution and production, still regulations and practices were somewhat geared to national and local cultures and film preferences. In Brussels, this meant that a large portion of French films could still be shown, and in Brno it meant that domestic production could maintain a relatively high output. In the Netherlands, German films obtained a virtual monopoly position. They had been popular from before the war, and this trend continued during the occupation. In Poland German films dominated as well, but the Krakow audiences stayed away when only German films were offered in the cinemas.

Název v anglickém jazyce

Cinema-going in German-occupied Territory in the Second World War : The Impact of Film Market Regulations on Supply and Demand in Brno, Brussels, Krakow and The Hague

Popis výsledku anglicky

This chapter analyses the effects of the policies of the Nazi regime on film supply and demand in four cities in four countries during the Second World War: Brussels (Belgium), The Hague (the Netherlands), Krakow (Poland) and Brno (Czechoslovakia, Protectorate of Bohemia and Moravia). We show that even though the German occupiers completely controlled film exhibition, distribution and production, still regulations and practices were somewhat geared to national and local cultures and film preferences. In Brussels, this meant that a large portion of French films could still be shown, and in Brno it meant that domestic production could maintain a relatively high output. In the Netherlands, German films obtained a virtual monopoly position. They had been popular from before the war, and this trend continued during the occupation. In Poland German films dominated as well, but the Krakow audiences stayed away when only German films were offered in the cinemas.

Druh

C - Kapitola v odborné knize

CEP obor

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OECD FORD obor

60405 - Studies on Film, Radio and Television

Projekt

—

Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2024

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

The Palgrave Handbook of Comparative New Cinema Histories

ISBN

9783031387883

Počet stran výsledku

25

Strana od-do

307-331

Počet stran knihy

510

Název nakladatele

Palgrave Macmillan

Místo vydání

Cham

Kód UT WoS kapitoly

—