Endangered Heart : Image Schemas as the Organising Principle of Direction-scenographic Concept for the Brno Production of Händel’s Alcina

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F24%3A00138410" target="_blank" >RIV/00216224:14210/24:00138410 - isvavai.cz</a>

Výsledek na webu

<a href="https://kramerius.idu.cz/view/uuid:a0c7efcc-08a9-4092-a2cb-4eeb3850abb0?article=uuid:8bb1d371-6004-4e95-8e1b-21e7e9481fd6" target="_blank" >https://kramerius.idu.cz/view/uuid:a0c7efcc-08a9-4092-a2cb-4eeb3850abb0?article=uuid:8bb1d371-6004-4e95-8e1b-21e7e9481fd6</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.62851/35.2024.2.04" target="_blank" >10.62851/35.2024.2.04</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Endangered Heart : Image Schemas as the Organising Principle of Direction-scenographic Concept for the Brno Production of Händel’s Alcina

Popis výsledku v původním jazyce

This paper explores the role of scenography in the meaning-making process in operatic performances, particularly focusing on the 2022 Brno production of Händel’s Alcina directed by Jiří Heřman. The study employs methodology from cognitive science, specifically image schemas and multimodality, to analyse how scenography interacts with other modalities like music and text to create a cohesive theatrical experience. T he paper argues that image schemas are central to organising the perceptual and conceptual structures that convey emotions, particularly in the lamento aria “Ah! mio cor.” The scenography’s spatial elements are shown to enhance the emotional intensity and thematic depth of the opera, highlighting the significance of cross-modal mappings or correspondences in the audience’s perception and interpretation.

Název v anglickém jazyce

Endangered Heart : Image Schemas as the Organising Principle of Direction-scenographic Concept for the Brno Production of Händel’s Alcina

Popis výsledku anglicky

This paper explores the role of scenography in the meaning-making process in operatic performances, particularly focusing on the 2022 Brno production of Händel’s Alcina directed by Jiří Heřman. The study employs methodology from cognitive science, specifically image schemas and multimodality, to analyse how scenography interacts with other modalities like music and text to create a cohesive theatrical experience. T he paper argues that image schemas are central to organising the perceptual and conceptual structures that convey emotions, particularly in the lamento aria “Ah! mio cor.” The scenography’s spatial elements are shown to enhance the emotional intensity and thematic depth of the opera, highlighting the significance of cross-modal mappings or correspondences in the audience’s perception and interpretation.

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

—

Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2024

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Divadelni Revue

ISSN

0862-5409

e-ISSN

—

Svazek periodika

35

Číslo periodika v rámci svazku

2

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

25

Strana od-do

65-89

Kód UT WoS článku

—

EID výsledku v databázi Scopus

2-s2.0-85215368792