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Creative Creatures : Between Art and Anthropology

Identifikátory výsledku

  • Kód výsledku v IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F24%3A00138898" target="_blank" >RIV/00216224:14210/24:00138898 - isvavai.cz</a>

  • Výsledek na webu

    <a href="https://ejmap.sk/wp-content/uploads/Katarina_Slobodova_Novakova_Veronika_Majdakova_Martina_Pavlikova_Ales_Smrcka-Creative_Creatures.pdf" target="_blank" >https://ejmap.sk/wp-content/uploads/Katarina_Slobodova_Novakova_Veronika_Majdakova_Martina_Pavlikova_Ales_Smrcka-Creative_Creatures.pdf</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.34135/ejmap-24-02-04" target="_blank" >10.34135/ejmap-24-02-04</a>

Alternativní jazyky

  • Jazyk výsledku

    čeština

  • Název v původním jazyce

    Creative Creatures : Between Art and Anthropology

  • Popis výsledku v původním jazyce

    The visual capture of the world has been an integral part of the formation of ethnology and cultural anthropology since the beginning. It meant not only a source of knowledge of the local community, but especially of the time at which it was created. Sometimes photographs were taken accidentally during research trips as more or less documentary material, which were only superficially analysed and served to visually confirm the investigated state, or were a targeted photo documentation of disappearing phenomena, objects of material culture, ceremonies or genius loci of the researched area. At other times, photographs were created as a result of purposeful research and documentation of selected phenomena. The result of this is an interpretive openness and an effort to find and establish new analytical and interpretive processes that would be able to convey anthropological knowledge more effectively. Is art, or in our specific case artistic photography, usable for research or for interpretation of cultural or anthropological phenomena? We try to find an answer to this question by analysing the collection of photographs of the Creative Creatures project (subtitled Last Survivors) from Papua New Guinea, by art photographer Martin Machaj. We analyse not only its artistic rendering but also the ethnological, anthropological content and message of the work of art.

  • Název v anglickém jazyce

    Creative Creatures : Between Art and Anthropology

  • Popis výsledku anglicky

    The visual capture of the world has been an integral part of the formation of ethnology and cultural anthropology since the beginning. It meant not only a source of knowledge of the local community, but especially of the time at which it was created. Sometimes photographs were taken accidentally during research trips as more or less documentary material, which were only superficially analysed and served to visually confirm the investigated state, or were a targeted photo documentation of disappearing phenomena, objects of material culture, ceremonies or genius loci of the researched area. At other times, photographs were created as a result of purposeful research and documentation of selected phenomena. The result of this is an interpretive openness and an effort to find and establish new analytical and interpretive processes that would be able to convey anthropological knowledge more effectively. Is art, or in our specific case artistic photography, usable for research or for interpretation of cultural or anthropological phenomena? We try to find an answer to this question by analysing the collection of photographs of the Creative Creatures project (subtitled Last Survivors) from Papua New Guinea, by art photographer Martin Machaj. We analyse not only its artistic rendering but also the ethnological, anthropological content and message of the work of art.

Klasifikace

  • Druh

    J<sub>imp</sub> - Článek v periodiku v databázi Web of Science

  • CEP obor

  • OECD FORD obor

    50404 - Anthropology, ethnology

Návaznosti výsledku

  • Projekt

  • Návaznosti

    I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Ostatní

  • Rok uplatnění

    2024

  • Kód důvěrnosti údajů

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Údaje specifické pro druh výsledku

  • Název periodika

    European Journal of Media, Art and Photography

  • ISSN

    1339-4940

  • e-ISSN

    2989-3224

  • Svazek periodika

    12

  • Číslo periodika v rámci svazku

    2

  • Stát vydavatele periodika

    CZ - Česká republika

  • Počet stran výsledku

    14

  • Strana od-do

    78-91

  • Kód UT WoS článku

    001384067400005

  • EID výsledku v databázi Scopus