How Serials Reshaped Animation Production : Comparative Analysis of Animated Film Serials Produced by the Studio in Gottwaldov and ‘Se-Ma-For’ Studio of Small Film Forms (1960s–1980s)
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F24%3A00139703" target="_blank" >RIV/00216224:14210/24:00139703 - isvavai.cz</a>
Výsledek na webu
<a href="https://www.iluminace.cz/" target="_blank" >https://www.iluminace.cz/</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.58193/ilu.1793" target="_blank" >10.58193/ilu.1793</a>
Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
How Serials Reshaped Animation Production : Comparative Analysis of Animated Film Serials Produced by the Studio in Gottwaldov and ‘Se-Ma-For’ Studio of Small Film Forms (1960s–1980s)
Popis výsledku v původním jazyce
The 1960s marked a significant shift in animation production in socialist Czechoslovakia and Poland toward serial formats, and our text focuses on a comparative analysis of the adoption of animated serial production at the Polish studio Se-Ma-For and the Gottwaldov animation studio in Czechoslovakia. In Gottwaldov, evening serials for television were the predominant form of production, while Se-Ma-For favored co-produced serials. The shift to serial production required adjustments in production practices, including changes in workforce composition and skill requirements. Comparative analysis reveals divergent approaches to serial production, influenced by production backgrounds, animation techniques, and employment structures. In Czechoslovakia, strict requirements from the commissioning authorities limited artistic freedom, while Polish filmmakers retained more control, leading to the marginalization of workers below the line. The decentralized nature of Se-Ma-For and the diversity of commissioning sources led to different preferred solutions for serial production. This study underscores the complexity of serial production in socialist contexts, highlighting the interplay between organizational dynamics, artistic autonomy, and external influences.
Název v anglickém jazyce
How Serials Reshaped Animation Production : Comparative Analysis of Animated Film Serials Produced by the Studio in Gottwaldov and ‘Se-Ma-For’ Studio of Small Film Forms (1960s–1980s)
Popis výsledku anglicky
The 1960s marked a significant shift in animation production in socialist Czechoslovakia and Poland toward serial formats, and our text focuses on a comparative analysis of the adoption of animated serial production at the Polish studio Se-Ma-For and the Gottwaldov animation studio in Czechoslovakia. In Gottwaldov, evening serials for television were the predominant form of production, while Se-Ma-For favored co-produced serials. The shift to serial production required adjustments in production practices, including changes in workforce composition and skill requirements. Comparative analysis reveals divergent approaches to serial production, influenced by production backgrounds, animation techniques, and employment structures. In Czechoslovakia, strict requirements from the commissioning authorities limited artistic freedom, while Polish filmmakers retained more control, leading to the marginalization of workers below the line. The decentralized nature of Se-Ma-For and the diversity of commissioning sources led to different preferred solutions for serial production. This study underscores the complexity of serial production in socialist contexts, highlighting the interplay between organizational dynamics, artistic autonomy, and external influences.
Klasifikace
Druh
J<sub>SC</sub> - Článek v periodiku v databázi SCOPUS
CEP obor
—
OECD FORD obor
60405 - Studies on Film, Radio and Television
Návaznosti výsledku
Projekt
<a href="/cs/project/GF21-04081K" target="_blank" >GF21-04081K: Studia animovaného filmu v Gottwaldově a Lodži (1945/47-1990) - komparativní kolektivní biografie</a><br>
Návaznosti
P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)
Ostatní
Rok uplatnění
2024
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název periodika
Iluminace
ISSN
0862-397X
e-ISSN
2570-9267
Svazek periodika
36
Číslo periodika v rámci svazku
3
Stát vydavatele periodika
CZ - Česká republika
Počet stran výsledku
24
Strana od-do
11-34
Kód UT WoS článku
—
EID výsledku v databázi Scopus
2-s2.0-85217265111