Adapting to Transformation: Czech Filmmakers and the Emergence of Multiplied Narrative Form(s)

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F24%3A00144672" target="_blank" >RIV/00216224:14210/24:00144672 - isvavai.cz</a>

Výsledek na webu

—

DOI - Digital Object Identifier

—

Jazyk výsledku

angličtina

Název v původním jazyce

Adapting to Transformation: Czech Filmmakers and the Emergence of Multiplied Narrative Form(s)

Popis výsledku v původním jazyce

The paper explores the emergence and questions of the lasting impact of the so-called multiplied form of feature film narrative in Czech cinema. Tracing its origins to 1925, a pivotal year in Czech cinema, the paper delves into the convergence of disparate filmmaking art worlds, breaking down established narrative barriers. The multiplied form, characterized by my research as a multi-episodic, thematically linked plot, multi-linear narration, and a multi-protagonist fictional world, signifies a transformative shift in feature film construction. Czech filmmakers, competing in a burgeoning market, adapted this model, offering parallel variations that also offered structured yet, from a current perspective, unconventional methods of achieving narrative coherence and unity. This investigation reflects on the enduring preference for the multiplied form in Czech cinema and its broader implications for understanding cinematic narrative history. The paper also discusses connections with existing research projects of international narrative phenomena like "network narratives" and "multi-protagonist films."

Název v anglickém jazyce

Adapting to Transformation: Czech Filmmakers and the Emergence of Multiplied Narrative Form(s)

Popis výsledku anglicky

The paper explores the emergence and questions of the lasting impact of the so-called multiplied form of feature film narrative in Czech cinema. Tracing its origins to 1925, a pivotal year in Czech cinema, the paper delves into the convergence of disparate filmmaking art worlds, breaking down established narrative barriers. The multiplied form, characterized by my research as a multi-episodic, thematically linked plot, multi-linear narration, and a multi-protagonist fictional world, signifies a transformative shift in feature film construction. Czech filmmakers, competing in a burgeoning market, adapted this model, offering parallel variations that also offered structured yet, from a current perspective, unconventional methods of achieving narrative coherence and unity. This investigation reflects on the enduring preference for the multiplied form in Czech cinema and its broader implications for understanding cinematic narrative history. The paper also discusses connections with existing research projects of international narrative phenomena like "network narratives" and "multi-protagonist films."

Druh

O - Ostatní výsledky

CEP obor

—

OECD FORD obor

60405 - Studies on Film, Radio and Television

Projekt

<a href="/cs/project/GA22-23827S" target="_blank" >GA22-23827S: Před Barrandovem: Narativní a stylová poetika českého filmu do roku 1933</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2024

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů