The Gothic Monster (Making) in Richard Wright’s Native Son

Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F25%3A00141485" target="_blank" >RIV/00216224:14210/25:00141485 - isvavai.cz</a>
Výsledek na webu
<a href="https://ostravajournal.osu.eu/" target="_blank" >https://ostravajournal.osu.eu/</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.15452/OJoEP.2025.17.0006" target="_blank" >10.15452/OJoEP.2025.17.0006</a>

Jazyk výsledku
angličtina
Název v původním jazyce
The Gothic Monster (Making) in Richard Wright’s Native Son
Popis výsledku v původním jazyce
Richard Wright’s Native Son (1940) uses various features of the Gothic genre to talk back to stereotypical portrayals of African American people by disclosing how the social and economic impoverishment of minoritized African American communities influences individuals within American society. The protagonist Bigger Thomas stands trial throughout the novel: for rape, for murder, and for being a Black man. This article explores how the novel’s social realism is intertwined with the Gothic and through which means the Gothic presents itself in the novel.
Název v anglickém jazyce
The Gothic Monster (Making) in Richard Wright’s Native Son
Popis výsledku anglicky
Richard Wright’s Native Son (1940) uses various features of the Gothic genre to talk back to stereotypical portrayals of African American people by disclosing how the social and economic impoverishment of minoritized African American communities influences individuals within American society. The protagonist Bigger Thomas stands trial throughout the novel: for rape, for murder, and for being a Black man. This article explores how the novel’s social realism is intertwined with the Gothic and through which means the Gothic presents itself in the novel.

Rok uplatnění
2025
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

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