Soulages, Richter, and Others : Abstract Stained-Glass Windows performing in Medieval Sacral Monuments as a Universal Language for Strategic Public Commissions from the 1960s to 2000s

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F25%3A00142866" target="_blank" >RIV/00216224:14210/25:00142866 - isvavai.cz</a>

Výsledek na webu

<a href="https://ojs.zrc-sazu.si/ahas" target="_blank" >https://ojs.zrc-sazu.si/ahas</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.3986/ahas.30.2.04" target="_blank" >10.3986/ahas.30.2.04</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Soulages, Richter, and Others : Abstract Stained-Glass Windows performing in Medieval Sacral Monuments as a Universal Language for Strategic Public Commissions from the 1960s to 2000s

Popis výsledku v původním jazyce

The study explores how modern abstract stained-glass interventions can profoundly transform the atmosphere and meaning of medieval sacred monuments, imbuing them with new layers of spiritual, aesthetic, and collective identity. Focusing on non-figurative works by the renowned artists Pierre Soulages (Saint Faith’s Church in Conques, France), Gerhard Richter (Cologne Cathedral in Germany), and Stanislav Libenský and Jaroslava Brychtová (Saint Vitus’s Cathedral in Prague, Czech Republic), the research investigates how such interventions reinterpret tradition through contemporary visual language. It considers the performative and symbolic potency of these artworks, examining the intent of both their artists and commissioners, and how these projects reflect broader ideological contexts of a politically divided world and its aftermath. Ultimately, the study probes the unique resonance between medieval and modern artistic expression, revealing how abstract stained glass can serve as a spiritually and socially legitimizing force within historically layered sacred spaces.

Název v anglickém jazyce

Soulages, Richter, and Others : Abstract Stained-Glass Windows performing in Medieval Sacral Monuments as a Universal Language for Strategic Public Commissions from the 1960s to 2000s

Popis výsledku anglicky

The study explores how modern abstract stained-glass interventions can profoundly transform the atmosphere and meaning of medieval sacred monuments, imbuing them with new layers of spiritual, aesthetic, and collective identity. Focusing on non-figurative works by the renowned artists Pierre Soulages (Saint Faith’s Church in Conques, France), Gerhard Richter (Cologne Cathedral in Germany), and Stanislav Libenský and Jaroslava Brychtová (Saint Vitus’s Cathedral in Prague, Czech Republic), the research investigates how such interventions reinterpret tradition through contemporary visual language. It considers the performative and symbolic potency of these artworks, examining the intent of both their artists and commissioners, and how these projects reflect broader ideological contexts of a politically divided world and its aftermath. Ultimately, the study probes the unique resonance between medieval and modern artistic expression, revealing how abstract stained glass can serve as a spiritually and socially legitimizing force within historically layered sacred spaces.

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

60401 - Arts, Art history

Projekt

—

Návaznosti

R - Projekt Ramcoveho programu EK

Rok uplatnění

2025

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

ACTA HISTORIAE ARTIS SLOVENICA

ISSN

1408-0419

e-ISSN

2536-4200

Svazek periodika

30

Číslo periodika v rámci svazku

2

Stát vydavatele periodika

SI - Slovinská republika

Počet stran výsledku

34

Strana od-do

119-152

Kód UT WoS článku

—

EID výsledku v databázi Scopus

2-s2.0-105027409677