A practical guide on how to build and publish your dataset and data visualizations

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F25%3A00143161" target="_blank" >RIV/00216224:14210/25:00143161 - isvavai.cz</a>

Výsledek na webu

<a href="https://cms.necs.org/sites/default/files/documents/conference/necs2025_finalprogram_2.pdf" target="_blank" >https://cms.necs.org/sites/default/files/documents/conference/necs2025_finalprogram_2.pdf</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

A practical guide on how to build and publish your dataset and data visualizations

Popis výsledku v původním jazyce

Dataset creation is part of the research process, involving the collection of different types of data. While the common practice in Film Studies has been to keep datasets as documents for “internal use” of the researcher, the publication of datasets opens up new possibilities of understanding data collection as part of a collective endeavour that is more typical in the hard sciences. In this way, we operate in an open data logic. We explain essentials in the field such as setting up a data management plan (DMP), adding metadata and following FAIR(ER) principles, making data findable, accessible, interoperable, reusable, and also ethical and revisable (Verhoeven 2018). We also discuss available repositories for publishing research data and mention DH tools that help clean data, analyze and visualize datasets. By presenting a practical approach to dataset publication, this workshop offers key tools to understand dataset creation as part of a publishing process with its own procedures and logics. In the first part, workshop leaders offer a general introduction to the steps, tools and methods of dataset creation, data visualization (like ArcGIS for spatial mapping and Gephi for network visualization) and data publishing. We will employ our various project backgrounds in cinema-going history, film festival research and film analysis as examples to mention practical tips, tools that work, websites (e.g. Programming Historian) and repositories to use etc. Through a sample dataset, we demonstrate the advantages of interactive displays of quantitative data while critically addressing the methodological challenges and limitations of this approach. In the second part, we invite all workshop participants to join and work practically with a real dataset to go through these steps. All participants are also invited to bring their own projects and data to discuss in the workshop.

Název v anglickém jazyce

A practical guide on how to build and publish your dataset and data visualizations

Popis výsledku anglicky

Dataset creation is part of the research process, involving the collection of different types of data. While the common practice in Film Studies has been to keep datasets as documents for “internal use” of the researcher, the publication of datasets opens up new possibilities of understanding data collection as part of a collective endeavour that is more typical in the hard sciences. In this way, we operate in an open data logic. We explain essentials in the field such as setting up a data management plan (DMP), adding metadata and following FAIR(ER) principles, making data findable, accessible, interoperable, reusable, and also ethical and revisable (Verhoeven 2018). We also discuss available repositories for publishing research data and mention DH tools that help clean data, analyze and visualize datasets. By presenting a practical approach to dataset publication, this workshop offers key tools to understand dataset creation as part of a publishing process with its own procedures and logics. In the first part, workshop leaders offer a general introduction to the steps, tools and methods of dataset creation, data visualization (like ArcGIS for spatial mapping and Gephi for network visualization) and data publishing. We will employ our various project backgrounds in cinema-going history, film festival research and film analysis as examples to mention practical tips, tools that work, websites (e.g. Programming Historian) and repositories to use etc. Through a sample dataset, we demonstrate the advantages of interactive displays of quantitative data while critically addressing the methodological challenges and limitations of this approach. In the second part, we invite all workshop participants to join and work practically with a real dataset to go through these steps. All participants are also invited to bring their own projects and data to discuss in the workshop.

Druh

W - Uspořádání workshopu

CEP obor

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OECD FORD obor

60405 - Studies on Film, Radio and Television

Projekt

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Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2025

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Místo konání akce

Lisabon, Portugalsko

Stát konání akce

PT - Portugalská republika

Datum zahájení akce

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Datum ukončení akce

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Celkový počet účastníků

15

Počet zahraničních účastníků

14

Typ akce podle státní přísl. účastníků

WRD - Celosvětová akce