Who Are the Indians? : Hans Larwin and the Visualization of the Roma and Native Americans in Interwar Austrian Popular Art and Visual Culture
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F25%3A00144380" target="_blank" >RIV/00216224:14210/25:00144380 - isvavai.cz</a>
Výsledek na webu
<a href="http://dx.doi.org/10.1515/9789048571819-015" target="_blank" >http://dx.doi.org/10.1515/9789048571819-015</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.1515/9789048571819-015" target="_blank" >10.1515/9789048571819-015</a>
Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
Who Are the Indians? : Hans Larwin and the Visualization of the Roma and Native Americans in Interwar Austrian Popular Art and Visual Culture
Popis výsledku v původním jazyce
This chapter examines the visual representation of marginalized communities in central Europe, particularly the Roma, alongside Native Americans in the works of Viennese artist Hans Larwin (1873-1938). His art highlights the role of popular practices in reinforcing a colonial gaze on non-white communities. Larwin's images illustrate how artist explorers saw themselves as insiders within these communities to gain market advantage. However, he depicts both Roma and Native Americans through similar lenses, blurring the line between fascination for the exotic near and far. Both groups are portrayed within stereotypes of noble savages, merging high culture, popular culture, and adventure narratives. Ultimately, the chapter contends that these visual stereotypes preserved a continuous colonial gaze across time and continents.
Název v anglickém jazyce
Who Are the Indians? : Hans Larwin and the Visualization of the Roma and Native Americans in Interwar Austrian Popular Art and Visual Culture
Popis výsledku anglicky
This chapter examines the visual representation of marginalized communities in central Europe, particularly the Roma, alongside Native Americans in the works of Viennese artist Hans Larwin (1873-1938). His art highlights the role of popular practices in reinforcing a colonial gaze on non-white communities. Larwin's images illustrate how artist explorers saw themselves as insiders within these communities to gain market advantage. However, he depicts both Roma and Native Americans through similar lenses, blurring the line between fascination for the exotic near and far. Both groups are portrayed within stereotypes of noble savages, merging high culture, popular culture, and adventure narratives. Ultimately, the chapter contends that these visual stereotypes preserved a continuous colonial gaze across time and continents.
Klasifikace
Druh
C - Kapitola v odborné knize
CEP obor
—
OECD FORD obor
60401 - Arts, Art history
Návaznosti výsledku
Projekt
<a href="/cs/project/GA24-10997S" target="_blank" >GA24-10997S: Z venkova do světa. Lidové umění a kultura jako aktéři modernity, 1918-1945</a><br>
Návaznosti
P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)
Ostatní
Rok uplatnění
2025
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název knihy nebo sborníku
Habsburg Encounters with Native America : Familiar Strangers
ISBN
9789048571819
Počet stran výsledku
24
Strana od-do
271-294
Počet stran knihy
325
Název nakladatele
Central European University Press
Místo vydání
Budapest
Kód UT WoS kapitoly
—