Narration

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F25%3A00144503" target="_blank" >RIV/00216224:14210/25:00144503 - isvavai.cz</a>

Výsledek na webu

<a href="https://www.bloomsbury.com/in/experimental-life-writing-today-9781350529922/" target="_blank" >https://www.bloomsbury.com/in/experimental-life-writing-today-9781350529922/</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.5040/9781350529946.ch-15" target="_blank" >10.5040/9781350529946.ch-15</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Narration

Popis výsledku v původním jazyce

This chapter explores experimental narrative strategies in life writing. The first part offers a survey of experiments with narrative voice and types of narration - such as narration by another character, third-person narration, and second-person narration - and then focuses on narrative point of view. Dorrit Cohn's concepts of dissonant and consonant self-narration and Wolf Schmid's typology of point of view are applied to autobiographical narratives to differentiate between those tending to prioritize the narratorial point of view (the narrating self's present perspective) and those employing mostly the figural point of view (the narrated, earlier self's perspective). The second part of the chapter analyses Mary Karr's Cherry, focusing primarily on the effects of second-person narration and the figural point of view, and the role of these techniques in communicating experience. The chapter closes with a reflection on how formal experiments may contribute to challenging culturally dominant narratives and tropes.

Název v anglickém jazyce

Narration

Popis výsledku anglicky

This chapter explores experimental narrative strategies in life writing. The first part offers a survey of experiments with narrative voice and types of narration - such as narration by another character, third-person narration, and second-person narration - and then focuses on narrative point of view. Dorrit Cohn's concepts of dissonant and consonant self-narration and Wolf Schmid's typology of point of view are applied to autobiographical narratives to differentiate between those tending to prioritize the narratorial point of view (the narrating self's present perspective) and those employing mostly the figural point of view (the narrated, earlier self's perspective). The second part of the chapter analyses Mary Karr's Cherry, focusing primarily on the effects of second-person narration and the figural point of view, and the role of these techniques in communicating experience. The chapter closes with a reflection on how formal experiments may contribute to challenging culturally dominant narratives and tropes.

Druh

C - Kapitola v odborné knize

CEP obor

—

OECD FORD obor

60205 - Literary theory

Projekt

<a href="/cs/project/GA21-12454S" target="_blank" >GA21-12454S: Fakta a fikce v životních příbězích: narativní strategie autobiografického psaní</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2025

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Experimental Life Writing Today

ISBN

9781350529915

Počet stran výsledku

12

Strana od-do

217-228

Počet stran knihy

264

Název nakladatele

Bloomsbury Academic

Místo vydání

London

Kód UT WoS kapitoly

—