Postmoderní bravura A. S. Byattové

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14330%2F05%3A00013369" target="_blank" >RIV/00216224:14330/05:00013369 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

The Postmodern Bravura of A.S. Byatt

Popis výsledku v původním jazyce

Described as one of the most interesting British novels of the 1970s, A.S. Byatts The Virgin in the Garden (1978), the first volume of her then planned tetralogy, has been since followed by another three volumes Still Life (1985), Babel Tower (1996) andA Whistling Woman (2002). The four novels constitute a realistic family saga told against the backdrop of the British 1950s and 60s, richly interwoven with multilayered literary experiment and polemics with postmodern trends and concepts. In much the same way, combining a thrilling realistic narrative with an interplay of analogies, pastiche and a merging of genres, Byatt throws a Victorian glove into the ring of debate with the practitioners of modern critical theories in her novel Possession (1990). But it is always postmodern weapons that, with eloquent bravura, the author deploys in her polemical battle. With her defence of the power of words and the multiplicity of meanings and readings Byatt speaks up for the writer and his/her wo

Název v anglickém jazyce

The Postmodern Bravura of A.S. Byatt

Popis výsledku anglicky

Described as one of the most interesting British novels of the 1970s, A.S. Byatts The Virgin in the Garden (1978), the first volume of her then planned tetralogy, has been since followed by another three volumes Still Life (1985), Babel Tower (1996) andA Whistling Woman (2002). The four novels constitute a realistic family saga told against the backdrop of the British 1950s and 60s, richly interwoven with multilayered literary experiment and polemics with postmodern trends and concepts. In much the same way, combining a thrilling realistic narrative with an interplay of analogies, pastiche and a merging of genres, Byatt throws a Victorian glove into the ring of debate with the practitioners of modern critical theories in her novel Possession (1990). But it is always postmodern weapons that, with eloquent bravura, the author deploys in her polemical battle. With her defence of the power of words and the multiplicity of meanings and readings Byatt speaks up for the writer and his/her wo

Druh

J_x - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)

CEP obor

AJ - Písemnictví, mas–media, audiovize

OECD FORD obor

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Projekt

<a href="/cs/project/IAA9164301" target="_blank" >IAA9164301: Encyklopedie srovnávací literárněvědné terminologie</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2005

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

The Atlantic Critical Review

ISSN

0972-6373

e-ISSN

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Svazek periodika

Vol 3

Číslo periodika v rámci svazku

No 1

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

12

Strana od-do

108-119

Kód UT WoS článku

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EID výsledku v databázi Scopus

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