The Artistic Functioning of the Concept of "Mountain" in the Works of Russian and Tatar Writers of the Second Half of the Twentieth Century (On the Example of the Works by V. Astafyev and A. Eniki).

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14410%2F17%3A00108784" target="_blank" >RIV/00216224:14410/17:00108784 - isvavai.cz</a>

Výsledek na webu

<a href="http://kutaksam.karabuk.edu.tr/index.php/ilk/article/view/1304/912" target="_blank" >http://kutaksam.karabuk.edu.tr/index.php/ilk/article/view/1304/912</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.7596/taksad.v6i5.1304" target="_blank" >10.7596/taksad.v6i5.1304</a>

Jazyk výsledku

angličtina

Název v původním jazyce

The Artistic Functioning of the Concept of "Mountain" in the Works of Russian and Tatar Writers of the Second Half of the Twentieth Century (On the Example of the Works by V. Astafyev and A. Eniki).

Popis výsledku v původním jazyce

Studying the key concepts of languages is important for linguistics and literature. In this research, the authors refer to the concept "mountain" in its various modifications, presented in the works of Tatar and Russian writers of the second half of the twentieth century. Some mythological aspects of the implementation of the concept "mountain" are examined in works of Russian and Tatar writers (V. Astafyev and A. Eniki), which are based on mythological and folklore traditions. The authors mark out semantic oppositions "mountain – sky", "mountain - the knowledge of meaning of life"," mountain- basis of life", "life-death", which determine the space-time model of works and the national identity of the authors. At the same time the two authors are similar in the ideological basis of their texts, using popular and mythological invariant of the concept of mountain in its positive connotation, despite the difference of story organization of works. First of all, the mountain marks the basis of life. They are determined by high moral position and integrated with the motive of miracle (through the miracle of love). Although the miracle of love in the works of Astafyev is fragile and cannot stand before the impact of human civilization and the miracle of the appearance of the great-grandson of Eniki (also through the miracle of love) is more earthly and strong.

Název v anglickém jazyce

The Artistic Functioning of the Concept of "Mountain" in the Works of Russian and Tatar Writers of the Second Half of the Twentieth Century (On the Example of the Works by V. Astafyev and A. Eniki).

Popis výsledku anglicky

Studying the key concepts of languages is important for linguistics and literature. In this research, the authors refer to the concept "mountain" in its various modifications, presented in the works of Tatar and Russian writers of the second half of the twentieth century. Some mythological aspects of the implementation of the concept "mountain" are examined in works of Russian and Tatar writers (V. Astafyev and A. Eniki), which are based on mythological and folklore traditions. The authors mark out semantic oppositions "mountain – sky", "mountain - the knowledge of meaning of life"," mountain- basis of life", "life-death", which determine the space-time model of works and the national identity of the authors. At the same time the two authors are similar in the ideological basis of their texts, using popular and mythological invariant of the concept of mountain in its positive connotation, despite the difference of story organization of works. First of all, the mountain marks the basis of life. They are determined by high moral position and integrated with the motive of miracle (through the miracle of love). Although the miracle of love in the works of Astafyev is fragile and cannot stand before the impact of human civilization and the miracle of the appearance of the great-grandson of Eniki (also through the miracle of love) is more earthly and strong.

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

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OECD FORD obor

60201 - General language studies

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2017

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Tarih Kültür ve Sanat Araştırmaları Dergisi. Journal of History Culture and Art Research

ISSN

2147-0626

e-ISSN

—

Svazek periodika

6

Číslo periodika v rámci svazku

5

Stát vydavatele periodika

TR - Turecká republika

Počet stran výsledku

6

Strana od-do

315-320

Kód UT WoS článku

000418440500044

EID výsledku v databázi Scopus

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