Dvořák, Martinů and Gershwin as a source of inspiration for Vladimír Sís's music films

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14410%2F22%3A00130505" target="_blank" >RIV/00216224:14410/22:00130505 - isvavai.cz</a>

Výsledek na webu

<a href="https://hdl.handle.net/11222.digilib/digilib.77683" target="_blank" >https://hdl.handle.net/11222.digilib/digilib.77683</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.5817/MB2022-2-7" target="_blank" >10.5817/MB2022-2-7</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Dvořák, Martinů and Gershwin as a source of inspiration for Vladimír Sís's music films

Popis výsledku v původním jazyce

Music film is a genre that largely follows its own rules. These rules are determined mainly by the conception of musical content and also by the degree of interaction between music and image. The presented study summarizes the results of analyzes of music films by Vladimír Sís created on instrumental and vocal-instrumental compositions by Dvořák, Gershwin, and Martinů. The used method of two-phase analysis is based on the musical and film analysis of selected works and their mutual comparison with emphasis on functional changes of the originally autonomous musical pieces and their content-forming potential. It also seeks to capture a common analytical basis for different types of music films, creating a universal method for basic research. The results of the analysis point to both the typical features of the music and its specific use in Sís's films, including the director's intended popularization and didactic intentions.

Název v anglickém jazyce

Dvořák, Martinů and Gershwin as a source of inspiration for Vladimír Sís's music films

Popis výsledku anglicky

Music film is a genre that largely follows its own rules. These rules are determined mainly by the conception of musical content and also by the degree of interaction between music and image. The presented study summarizes the results of analyzes of music films by Vladimír Sís created on instrumental and vocal-instrumental compositions by Dvořák, Gershwin, and Martinů. The used method of two-phase analysis is based on the musical and film analysis of selected works and their mutual comparison with emphasis on functional changes of the originally autonomous musical pieces and their content-forming potential. It also seeks to capture a common analytical basis for different types of music films, creating a universal method for basic research. The results of the analysis point to both the typical features of the music and its specific use in Sís's films, including the director's intended popularization and didactic intentions.

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

—

OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2022

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Musicologica Brunensia

ISSN

1212-0391

e-ISSN

2336-436X

Svazek periodika

57

Číslo periodika v rámci svazku

2

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

17

Strana od-do

145-161

Kód UT WoS článku

000984582000007

EID výsledku v databázi Scopus

2-s2.0-85153187255