The Reversal of Gender Roles: Girl Gangs in Rebecca Prichard’s Yard Gal

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216275%3A25210%2F23%3A39921099" target="_blank" >RIV/00216275:25210/23:39921099 - isvavai.cz</a>

Výsledek na webu

<a href="https://dokumenty.osu.cz/ff/journals/ostravajournal/15-2/OJoEP_23_2_Kalavska.pdf" target="_blank" >https://dokumenty.osu.cz/ff/journals/ostravajournal/15-2/OJoEP_23_2_Kalavska.pdf</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.15452/OJoEP.2023.15.0010" target="_blank" >10.15452/OJoEP.2023.15.0010</a>

Jazyk výsledku

angličtina

Název v původním jazyce

The Reversal of Gender Roles: Girl Gangs in Rebecca Prichard’s Yard Gal

Popis výsledku v původním jazyce

The article concentrates on the dramatic work by the younger generation of British women who started writing in the 1990s and explains why their plays were not initially seen to fit into the category of womenʼs drama. It considers the changes in feminist thinking and the reasons why second-wave feminism seems to have lost its edge and became regarded as insufficient by the new generation. Even though Yard Gal (1998) by Rebecca Prichard (1971) differs from the feminist plays written in the 1980s, the article suggests that it is a subtly feminist and implicitly political play as it condemns apolitical power feminism which does not consider the disadvantaged and socially deprived. The play criticises ʻgirl powerʼ and uncovers the deleterious effects of postfeminism as it does not aim to transform the social reality of those who are on the edge of British society.

Název v anglickém jazyce

The Reversal of Gender Roles: Girl Gangs in Rebecca Prichard’s Yard Gal

Popis výsledku anglicky

The article concentrates on the dramatic work by the younger generation of British women who started writing in the 1990s and explains why their plays were not initially seen to fit into the category of womenʼs drama. It considers the changes in feminist thinking and the reasons why second-wave feminism seems to have lost its edge and became regarded as insufficient by the new generation. Even though Yard Gal (1998) by Rebecca Prichard (1971) differs from the feminist plays written in the 1980s, the article suggests that it is a subtly feminist and implicitly political play as it condemns apolitical power feminism which does not consider the disadvantaged and socially deprived. The play criticises ʻgirl powerʼ and uncovers the deleterious effects of postfeminism as it does not aim to transform the social reality of those who are on the edge of British society.

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

60206 - Specific literatures

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2023

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Ostrava Journal of English Philology

ISSN

1803-8174

e-ISSN

2571-0257

Svazek periodika

15

Číslo periodika v rámci svazku

2

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

12

Strana od-do

19-30

Kód UT WoS článku

—

EID výsledku v databázi Scopus

2-s2.0-85183859132