Out of the Prisonhouse: British Radical Feminist Theatre and Sarah Daniels' Ripen Our Darkness and Masterpieces

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216275%3A25210%2F25%3A39923639" target="_blank" >RIV/00216275:25210/25:39923639 - isvavai.cz</a>

Výsledek na webu

<a href="https://doi.org/10.5817/BSE2025-1-9" target="_blank" >https://doi.org/10.5817/BSE2025-1-9</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.5817/BSE2025-1-9" target="_blank" >10.5817/BSE2025-1-9</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Out of the Prisonhouse: British Radical Feminist Theatre and Sarah Daniels' Ripen Our Darkness and Masterpieces

Popis výsledku v původním jazyce

The present article concentrates on British radical feminist drama, particularly on Ripen Our Darkness (1981) and Masterpieces (1983) by Sarah Daniels, the British feminist playwright, and aims to suggest that radical feminist theatre responds to the call of the French literary critic Hélène Cixous for writing specifically by and for women. The article studies the influence of radical feminist theory on radical feminist theatre in Britain and explores new forms and styles which enable radical feminist playwrights, and Sarah Daniels in particular, to re-examine and fragment classic realism. The analysis of the two plays, which achieved mainstream success and which Daniels wrote at the beginning of her career, aims to propose that the theatrical style corresponds with the character of the plays as Daniels supports the radical feminist debate by subversive and innovative theatrical strategies which complement the feminist character of her work.

Název v anglickém jazyce

Out of the Prisonhouse: British Radical Feminist Theatre and Sarah Daniels' Ripen Our Darkness and Masterpieces

Popis výsledku anglicky

The present article concentrates on British radical feminist drama, particularly on Ripen Our Darkness (1981) and Masterpieces (1983) by Sarah Daniels, the British feminist playwright, and aims to suggest that radical feminist theatre responds to the call of the French literary critic Hélène Cixous for writing specifically by and for women. The article studies the influence of radical feminist theory on radical feminist theatre in Britain and explores new forms and styles which enable radical feminist playwrights, and Sarah Daniels in particular, to re-examine and fragment classic realism. The analysis of the two plays, which achieved mainstream success and which Daniels wrote at the beginning of her career, aims to propose that the theatrical style corresponds with the character of the plays as Daniels supports the radical feminist debate by subversive and innovative theatrical strategies which complement the feminist character of her work.

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

60206 - Specific literatures

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2025

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Brno Studies in English

ISSN

0524-6881

e-ISSN

1805-0867

Svazek periodika

51

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

19

Strana od-do

169-187

Kód UT WoS článku

—

EID výsledku v databázi Scopus

2-s2.0-105026378853