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Continuity and discontinuity of Minoan visual representations in Homeric Epics: The spirals of Okeanos

Identifikátory výsledku

  • Kód výsledku v IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216275%3A25210%2F25%3A39923692" target="_blank" >RIV/00216275:25210/25:39923692 - isvavai.cz</a>

  • Výsledek na webu

  • DOI - Digital Object Identifier

Alternativní jazyky

  • Jazyk výsledku

    angličtina

  • Název v původním jazyce

    Continuity and discontinuity of Minoan visual representations in Homeric Epics: The spirals of Okeanos

  • Popis výsledku v původním jazyce

    I suggest that the experience of Minoan visual culture was transmitted through oral epics during the “Dark Ages” that followed the Bronze Age collapse, in the same way that scholars usually assume the transmission of various narrative motifs across different cultures and areas. This experience then emerges in some of the many descriptions, similes and ekphrases of the Homeric Epics. Here, it is not usually possible to detect original Minoan iconographic motifs, but rather similar representational strategies and the intermingling and transformation of original contexts and meanings. Using the example of Homer’s description of the Shield of Achilles, and especially its last two passages, the “Knossian dance” and the image of Okeanos, I first show their mutual visual resonance mediated by geometric motifs of circles, lines, and most especially spirals and whirls. I then argue that Okeanos does not have a cosmogonic dimension in Homer, but rather offers an ekphrastic image of spatial and cognitive unapproachability. I proceed to show how the three specific original contexts from which we know Minoan spiral ornaments – the association with figure-of-eight shields, their use as a kind of ornamental frame and their occurrence near the Knossian miniature frescoes (associated with the Shield of Achilles as early on as by Evans) – can crystallise into a new thematic element, the visual image of Okeanos. Finally, I suggest that it is the ornamental, whose structuring quality inextricably links meaning to its form and context, that can conveniently transmit cultural content across the cultural seam between the Minoan Bronze Age and Archaic Greece, when no stable preferred medium of representation such as painting or poetry is at hand.

  • Název v anglickém jazyce

    Continuity and discontinuity of Minoan visual representations in Homeric Epics: The spirals of Okeanos

  • Popis výsledku anglicky

    I suggest that the experience of Minoan visual culture was transmitted through oral epics during the “Dark Ages” that followed the Bronze Age collapse, in the same way that scholars usually assume the transmission of various narrative motifs across different cultures and areas. This experience then emerges in some of the many descriptions, similes and ekphrases of the Homeric Epics. Here, it is not usually possible to detect original Minoan iconographic motifs, but rather similar representational strategies and the intermingling and transformation of original contexts and meanings. Using the example of Homer’s description of the Shield of Achilles, and especially its last two passages, the “Knossian dance” and the image of Okeanos, I first show their mutual visual resonance mediated by geometric motifs of circles, lines, and most especially spirals and whirls. I then argue that Okeanos does not have a cosmogonic dimension in Homer, but rather offers an ekphrastic image of spatial and cognitive unapproachability. I proceed to show how the three specific original contexts from which we know Minoan spiral ornaments – the association with figure-of-eight shields, their use as a kind of ornamental frame and their occurrence near the Knossian miniature frescoes (associated with the Shield of Achilles as early on as by Evans) – can crystallise into a new thematic element, the visual image of Okeanos. Finally, I suggest that it is the ornamental, whose structuring quality inextricably links meaning to its form and context, that can conveniently transmit cultural content across the cultural seam between the Minoan Bronze Age and Archaic Greece, when no stable preferred medium of representation such as painting or poetry is at hand.

Klasifikace

  • Druh

    D - Stať ve sborníku

  • CEP obor

  • OECD FORD obor

    60304 - Religious studies

Návaznosti výsledku

  • Projekt

  • Návaznosti

    I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Ostatní

  • Rok uplatnění

    2025

  • Kód důvěrnosti údajů

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Údaje specifické pro druh výsledku

  • Název statě ve sborníku

    Proceedings of the 13th International Congress of Cretan Studies

  • ISBN

    978-960-9480-55-0

  • ISSN

  • e-ISSN

  • Počet stran výsledku

    13

  • Strana od-do

    1-13

  • Název nakladatele

    Society of Cretan Historical Studies

  • Místo vydání

    Agios Nikolaos

  • Místo konání akce

    Agios Nikolaos

  • Datum konání akce

    5. 10. 2022

  • Typ akce podle státní příslušnosti

    WRD - Celosvětová akce

  • Kód UT WoS článku