Continuity and discontinuity of Minoan visual representations in Homeric Epics: The spirals of Okeanos
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216275%3A25210%2F25%3A39923692" target="_blank" >RIV/00216275:25210/25:39923692 - isvavai.cz</a>
Výsledek na webu
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DOI - Digital Object Identifier
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Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
Continuity and discontinuity of Minoan visual representations in Homeric Epics: The spirals of Okeanos
Popis výsledku v původním jazyce
I suggest that the experience of Minoan visual culture was transmitted through oral epics during the “Dark Ages” that followed the Bronze Age collapse, in the same way that scholars usually assume the transmission of various narrative motifs across different cultures and areas. This experience then emerges in some of the many descriptions, similes and ekphrases of the Homeric Epics. Here, it is not usually possible to detect original Minoan iconographic motifs, but rather similar representational strategies and the intermingling and transformation of original contexts and meanings. Using the example of Homer’s description of the Shield of Achilles, and especially its last two passages, the “Knossian dance” and the image of Okeanos, I first show their mutual visual resonance mediated by geometric motifs of circles, lines, and most especially spirals and whirls. I then argue that Okeanos does not have a cosmogonic dimension in Homer, but rather offers an ekphrastic image of spatial and cognitive unapproachability. I proceed to show how the three specific original contexts from which we know Minoan spiral ornaments – the association with figure-of-eight shields, their use as a kind of ornamental frame and their occurrence near the Knossian miniature frescoes (associated with the Shield of Achilles as early on as by Evans) – can crystallise into a new thematic element, the visual image of Okeanos. Finally, I suggest that it is the ornamental, whose structuring quality inextricably links meaning to its form and context, that can conveniently transmit cultural content across the cultural seam between the Minoan Bronze Age and Archaic Greece, when no stable preferred medium of representation such as painting or poetry is at hand.
Název v anglickém jazyce
Continuity and discontinuity of Minoan visual representations in Homeric Epics: The spirals of Okeanos
Popis výsledku anglicky
I suggest that the experience of Minoan visual culture was transmitted through oral epics during the “Dark Ages” that followed the Bronze Age collapse, in the same way that scholars usually assume the transmission of various narrative motifs across different cultures and areas. This experience then emerges in some of the many descriptions, similes and ekphrases of the Homeric Epics. Here, it is not usually possible to detect original Minoan iconographic motifs, but rather similar representational strategies and the intermingling and transformation of original contexts and meanings. Using the example of Homer’s description of the Shield of Achilles, and especially its last two passages, the “Knossian dance” and the image of Okeanos, I first show their mutual visual resonance mediated by geometric motifs of circles, lines, and most especially spirals and whirls. I then argue that Okeanos does not have a cosmogonic dimension in Homer, but rather offers an ekphrastic image of spatial and cognitive unapproachability. I proceed to show how the three specific original contexts from which we know Minoan spiral ornaments – the association with figure-of-eight shields, their use as a kind of ornamental frame and their occurrence near the Knossian miniature frescoes (associated with the Shield of Achilles as early on as by Evans) – can crystallise into a new thematic element, the visual image of Okeanos. Finally, I suggest that it is the ornamental, whose structuring quality inextricably links meaning to its form and context, that can conveniently transmit cultural content across the cultural seam between the Minoan Bronze Age and Archaic Greece, when no stable preferred medium of representation such as painting or poetry is at hand.
Klasifikace
Druh
D - Stať ve sborníku
CEP obor
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OECD FORD obor
60304 - Religious studies
Návaznosti výsledku
Projekt
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Návaznosti
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace
Ostatní
Rok uplatnění
2025
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název statě ve sborníku
Proceedings of the 13th International Congress of Cretan Studies
ISBN
978-960-9480-55-0
ISSN
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e-ISSN
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Počet stran výsledku
13
Strana od-do
1-13
Název nakladatele
Society of Cretan Historical Studies
Místo vydání
Agios Nikolaos
Místo konání akce
Agios Nikolaos
Datum konání akce
5. 10. 2022
Typ akce podle státní příslušnosti
WRD - Celosvětová akce
Kód UT WoS článku
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